André Hossein
French composer
André Aminollah Hossein, born Aminulla Huseynov, also known as Aminollah Hossein (Persian: امینالله حسین; Russian: Аминулла Гусейнов; 1905, Samarkand – 9 August 1983, Paris) was a French composer of Iranian Azerbaijani origin and a tar soloist.
He belonged to the generation of émigré intellectuals who bridged Eastern and European artistic traditions in the interwar years.
After his academic formation in Russia and Germany, he settled permanently in France, where he became a respected composer, conductor, and pianist.
His works, such as Symphony of Persepolis and Rhapsodie Persane, demonstrate an interest in reviving ancient Persian mythological and spiritual themes through modern orchestral language.
Critics often compared his music to that of Alexander Borodin and Nikolai Rimsky-Korsakov for its use of Oriental colors and narrative tone.
A versatile artist, Hossein also wrote ballets, concertos, and film scores, some in collaboration with his son Robert Hossein, a leading French actor-director.
Throughout his career, he defended the idea of a “universal Orientalism” — a dialogue between Zoroastrian mysticism, Persian poetry, and European romanticism.
His compositions were performed by orchestras in Paris, Monte-Carlo, and Tehran, and broadcast by Radio France in the 1960s and 1970s.
Hossein’s legacy, though lesser known internationally, remains a cornerstone in the evolution of Persian symphonic music.
He is buried in Paris, where his musical archives and manuscripts continue to be studied by researchers of intercultural composition.
Read more about this composer on Wikipedia.
- Arrivée des barques
- Assassinat de Raspoutine
- Avant le combat
- Ballet
- Ballet des jeunes filles
- Bataille
- Bataille de zaccar
- Blessure d'amour
- Blues de l'invitation
- Blues de la seduction
- Blues des scelerats
- Caravan
- Caravane
- Caravane des francs
- Chanson tzigane
- Chant des chevaliers francs
- Chant des chevaliers francs/Théme de Renaud
- Chevauchée de Manuel Dans Le Desert
- Concerto Pour Guitare (Scéne D'Amour)
- Danse Mounia
- Danse de Sheherazade
- Danse rituelle
- Danse tartare
- Défilé
- Départ de Renaud
- Eenzaam hart
- Enlèvement de Catherine
- Etude “East of Melancholy”
- Fanfare II
- Fanfare i
- Fete dans les rues de Bagdad
- Final
- Flute de Vlad
- Flute de vlad
- Flûte de vlad
- Félix cherche Raspoutine
- Generique
- Generique Orchestre
- Générique
- Générique (début)
- Générique (fin)
- Harmonica La Nuit
- Invitation au sortilège
- Jerk
- L'appel du desert
- L'appel du souvenir
- L'armée des sables
- La Boite a Musique
- La Promenade
- La Rencontre
- La Veillée (Harmonica)
- La mort de Catherine
- La symphonie des sables - ouverture
- Le Combat
- Le Saloon (Piano Bastringue)
- Le Suicide
- Les Saltimbanques
- L’Assaut
- Maria
- Michele morgan au piano
- Mort de Maria
- Mosaics, op. 19: Scenes From Summer
- Mosaics, op. 19: Sérénade Tartare
- Olifant pour la sentence de mort/Fuite dans le désert/Renaud a bout DE forces
- One Step 1914
- Orgie 1 (scène de la coupe)
- Orgie 2 (danse Macha)
- Orgie 3 (Macha et les filles)
- Orgie 4 (Macha-Raspoutine)
- Pauvre Cœur
- Pauvre cœur
- Persian Miniatures, op. 25
- Persian Miniatures, op. 25: Call of Remembrance
- Persian Miniatures, op. 25: Call of the Desert
- Persian Miniatures, op. 25: Invitation to the Spell
- Persian Miniatures, op. 25: Solitude
- Plainte d'amour
- Poursuite (suspense escalier)
- Prelude no. 1 “Homage to Omar Khayyam”
- Prière
- Promenade de Macha-Felix
- Pré générique
- Ragtime (Piano Bastringe)
- Rock eclatant
- Rêves nostalgiques
- Salut des vainqueurs
- Sheherazade part vers Bagdad
- Si loin de vous
- Si loin de vous (reprise)
- Solitude
- Sonniere d’olifant
- Surprise-partie
- Suspense
- Suspense de l'arrivée
- Suspense de la rencontre
- Suspense escalier
- Tempete de sable
- Tempête de sable
- Theme D'Amour
- Theme de Catherine (harpe)
- Theme de Manuel Et Maria
- Theme de Michele Morgan « Le disque »
- Thème de Catherine (flûte et harpe)
- Thème de Catherine (gGuitares)
- Thème de l'inquiétude
- Thème du souvenir
- Toi, le venin
- Ultime assaut
- Une corde, un colt
- Valse Lente (Piano Bastringue)
- Voix et harpe

