Brett Dean
Australian composer, conductor
Brett Dean (born 23 October 1961) is an Australian composer, violist and conductor.
Read more about this composer on Wikipedia.
- 3 Memorials
- 3 Memorials: Ceremonial
- 3 Memorials: Dispersal
- Amphitheatre
- And once I played Ophelia
- And once I played Ophelia: I. Fast, breathless
- And once I played Ophelia: II. Hushed, distant
- And once I played Ophelia: III. Fast, agitated
- And once I played Ophelia: IV. Extremely still
- And once I played Ophelia: V. Slow, austere
- Approach (Prelude to a Canon)
- Approach (Prelude to a Canon): I. Allegro impetuoso, volatile
- Approach (Prelude to a Canon): II. Calm, Serene
- Approach (Prelude to a Canon): III. Slightly agitated though unhurried
- Ariel's Music
- Ariel's Music: I. Elegy
- Ariel's Music: II. Circumstances
- Bliss
- Carlo
- Cello Concerto
- Cello Concerto: Allegro agitato sempre
- Cello Concerto: Extremely intimate, yet flowing and playful
- Cello Concerto: Fast, rhythmic, relentless
- Cello Concerto: Slow, dreamy, unhurried
- Cello Concerto: Slow, spacious, and still
- Confessio
- Dramatis personae
- Dramatis personae: I. Fall of a Superhero
- Dramatis personae: II. Soliloquy
- Dramatis personae: III. The Accidental Revolutionary
- Eclipse (String Quartet no. 1)
- Eclipse (String Quartet no. 1): I. Slow and spacious...
- Eclipse (String Quartet no. 1): II. Unlikely Flight
- Eclipse (String Quartet no. 1): III. Epilogue
- Electric Preludes
- Engelsflügel
- Epitaphs
- Epitaphs: I. "Only I will know" ...in memory of Dorothy Porter
- Epitaphs: II. "Walk a little way with me" ...in memory of Lyndal Holt
- Epitaphs: III. "Der Philosoph" ...in memory of Jan Diesselhorst
- Epitaphs: IV. "György meets the "Girl Photographer"" ...in memory of Betty Freeman; hommage à György Ligeti
- Epitaphs: V. "Between the spaces in the sky" ...in memory of Richard Hickox
- From Melodious Lay (A Hamlet Diffraction)
- Gertrude Fragments
- Gertrude Fragments: I. Cast thy knighted colour off
- Gertrude Fragments: II. Wring from him the cause
- Gertrude Fragments: III. My too much changed son
- Gertrude Fragments: IV. How is't with you?
- Gertrude Fragments: V. If words be made of breath
- Gneixendorfer Musik Eine Winterreise: I. Ankunft
- Gneixendorfer Musik Eine Winterreise: II. Die Abreise
- Gneixendorfer Musik Eine Winterreise: III. Epilog
- Hamlet Diffraction
- Hommage à Lutosławski
- In spe contra spem
- In spe contra spem, Part One: Full grievous is the way
- In spe contra spem, Part One: In spe contra spem
- In spe contra spem, Part One: La fin de mon long et ennuyeux pèlerinage
- In spe contra spem, Part One: We Princes are set on stages
- In spe contra spem, Part One: Were we but as two milkmaids
- In spe contra spem, Part Two: Accuse me not of presumption
- In spe contra spem, Part Two: I am not so ignorant, gentlemen
- In spe contra spem, Part Two: Interlude
- In spe contra spem, Part Two: Yet I find no great cause
- Intimate Decisions
- Knocking at the Hellgate
- Komarov's Fall
- New Variations on a Waltz by Anton Diabelli: Variation for Rudi
- Notturno inquieto
- Now Comes the Dawn
- One of a Kind
- One of a Kind: Act I
- One of a Kind: Act II
- One of a Kind: Act III
- Pastoral Symphony
- Piano Concerto "Gneixendorf Music - A Winter's Journey"
- Rooms of Elsinore
- Rooms of Elsinore: I. The Dark Gate
- Rooms of Elsinore: II. The Four Gate Courtyard
- Rooms of Elsinore: III. The Platform
- Rooms of Elsinore: IV. The King's Chamber
- Rooms of Elsinore: V. The Chapel
- Rooms of Elsinore: VI. The Queen's Chamber
- Rooms of Elsinore: VII. The Trumpeter's Tower
- String Quartet no. 2 "And once I played Ophelia"
- String Quartet no. 2 "And once I played Ophelia": I. Fast, breathless
- String Quartet no. 2 "And once I played Ophelia": II. Hushed, distant...
- String Quartet no. 2 "And once I played Ophelia": III. Fast, agitated...
- String Quartet no. 2 "And once I played Ophelia": IV. Extremely still...
- String Quartet no. 2 "And once I played Ophelia": V. Slow, austere
- Testament
- The Annunciation
- The Last Days of Socrates
- The Lost Art of Letter Writing
- The Lost Art of Letter Writing: I. Hamburg, 1854
- The Lost Art of Letter Writing: II. The Hague, 1882
- The Lost Art of Letter Writing: III. Vienna, 1886
- The Lost Art of Letter Writing: IV. Jerilderie, 1879
- The Players
- The Players: I. Prelude
- The Players: II. Look, look! Look where my abridgement comes!
- The Players: III. Fanfare. The players arrive
- The Players: IV. Pantomime
- The Players: V. Postlude
- The Siduri Dances
- The World’s Wife
- Three Caprichos After Goya
- Three Caprichos After Goya: I. ¡Qué sacrificio!
- Three Caprichos After Goya: II. Dios la perdone: Y era su madre
- Three Caprichos After Goya: III. No te escaparás
- To Look Yet Not Find
- Twelve Angry Men
- Vexations and Devotions
- Vexations and Devotions: I. Watching Others
- Vexations and Devotions: II. Bell and Anti-Bell
- Vexations and Devotions: III. The Path to Your Doo
- Viola Concerto
- Viola Concerto: I. Fragment
- Viola Concerto: II. Pursuit
- Viola Concerto: III. Veiled and Mysterious
- Voices of Angels
- Voices of Angels: I. Evocation
- Voices of Angels: II. Different Realms
- Water Music
- Water Music: 1. Bubbling
- Water Music: 2. Coursing
- Water Music: 3. Parched Earth
- Winter Songs
- Winter Songs: I. (Introduction) - (1. "e") - (2. "n")
- Winter Songs: II. (3. "if in beginning twilight winter will stand")
- Winter Songs: III. (4. "Who are you little i") - (5. "n")
- …the scene of the crime…

