Edmund Rubbra
British composer
Edmund Rubbra (23 May 1901 – 14 February 1986) was a British composer. He composed both instrumental and vocal works for soloists, chamber groups and full choruses and orchestras. He was greatly esteemed by fellow musicians and was at the peak of his fame in the mid-20th century. The best known of his pieces are his eleven symphonies. Although he was active at a time when many people wrote twelve-tone music, he decided not to write in this idiom; instead, he devised his own distinctive style. His later works were not as popular with the concert-going public as his previous ones had been, although he never lost the respect of his colleagues. Therefore, his output as a whole is less celebrated today than would have been expected from its early popularity. He was the brother of the engineer Arthur Rubbra.
Read more about this composer on Wikipedia.
- 2 Madrigals, op. 52
- A Cradle Song, op. 8 no. 1
- A Duan of Barra, op. 20
- A Prayer, op. 17 no. 1
- A Tribute, op. 56
- A Widow Bird Sate Mourning, op. 28
- Advent Cantata: "Natum Maria Virgine", op. 136
- Advent Cantata: I Recitative
- Advent Cantata: II Aria
- Advent Cantata: III Acrostic Hymn
- Advent Cantata: IV Chorale
- And when the builders
- Ave Maria Gratia Plena
- Ave Maria Gratia Plena: O excellent Virgin Princess
- Ave Maria Gratia Plena: O my deir Hert
- Beauty is but a painted hell
- Cello Sonata in G minor, op. 60
- Cello Sonata in G minor, op. 60: I. Andante moderato
- Cello Sonata in G minor, op. 60: II. Vivace flessibile
- Cello Sonata in G minor, op. 60: III. Adagio
- Dear Liza, op. 7
- Discourse, op. 127
- Duo, op. 156
- Eight Preludes Opus 131
- Fantasia for Violin and Orchestra
- Festival Overture, op. 62
- Fly Envious Time, op. 148
- Four Mediæval Latin Lyrics Op. 32
- Four Mediæval Latin Lyrics: I Rondel
- Four Mediæval Latin Lyrics: II Plaint
- Four Mediæval Latin Lyrics: III Pastoral
- Four Mediæval Latin Lyrics: IV Lament
- Four Songs, op. 8
- Hymn to the Virgin, op. 13 no. 2
- Improvisation for Violin and Orchestra, op. 89
- Improvisations on Virginal Pieces by Giles Farnaby, op. 50
- Improvisations on Virginal Pieces by Giles Farnaby, op. 50: I. Farnaby's Conceit
- Improvisations on Virginal Pieces by Giles Farnaby, op. 50: II. His Dreame
- Improvisations on Virginal Pieces by Giles Farnaby, op. 50: III. His Humour
- Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to Depart
- Improvisations on Virginal Pieces by Giles Farnaby, op. 50: V. Tell Me, Daphne
- In Dark Weather, op. 33
- Inscape, op. 122
- Inscape: I Pied Beauty
- Inscape: II The Lantern out of Doors
- Inscape: III Spring
- Inscape: IV God's Grandeur
- Inscape: V Epilogue
- Invocation to Spring, op. 17 no. 2
- It Was a Lover, op. 13 no. 3
- Jesukin, op. 4 no. 2
- Leave prolonging thy distress, op. 52 no. 1
- Let Us Securely Enter
- Magnificat and Nunc dimittis in A-flat major, op. 65
- Magnificat and Nunc dimittis in A-flat major, op. 65: I. Magnificat
- Magnificat and Nunc dimittis in A-flat major, op. 65: II. Nunc dimittis
- Meditation for Organ, op. 79
- Meditations on a Byzantine Hymn, op. 117
- Meditazioni sopra "Coeurs désolés", op. 67
- Missa Cantuariensis, op. 59
- Missa Cantuariensis, op. 59: I. Kyrie
- Missa Cantuariensis, op. 59: II. Credo
- Missa Cantuariensis, op. 59: III. Sanctus
- Missa Cantuariensis, op. 59: IV. Benedictus
- Missa Cantuariensis, op. 59: V. Agnus Dei
- Missa Cantuariensis, op. 59: VI. Gloria in excelsis
- Missa in honorem Sancti Dominici, op. 66
- Missa in honorem Sancti Dominici, op. 66: Agnus Dei
- Missa in honorem Sancti Dominici, op. 66: Benedictus
- Missa in honorem Sancti Dominici, op. 66: Credo
- Missa in honorem Sancti Dominici, op. 66: Gloria
- Missa in honorem Sancti Dominici, op. 66: Kyrie
- Missa in honorem Sancti Dominici, op. 66: Sanctus
- Nature's Song
- No Swan So Fine, op. 91
- Nocturne, op. 54
- Nod
- Ode to the Queen, op. 83
- Ode to the Queen, op. 83: I. Sound forth celestial organs
- Ode to the Queen, op. 83: II. Fair as unshaded light
- Ode to the Queen, op. 83: III. Yet once again, let us our measures move
- Orpheus, op. 8 no. 4
- Out in the Dark, op. 13 no. 1
- Pezzo ostinato, op. 102
- Piano Concerto in G major, op. 85
- Piano Concerto in G major, op. 85: I. Corymbus. Adagio, calmo e quasi improvisatore
- Piano Concerto in G major, op. 85: II. Dialogue. Lento e solenne
- Piano Concerto in G major, op. 85: III. Danza alla rondo. Allegretto gioioso
- Piano Concerto, Op. 30
- Piano Concerto, Op. 30: I. Andante moderato
- Piano Concerto, Op. 30: II. Larghetto e tranquillo
- Piano Concerto, Op. 30: III. Molto vivace
- Prelude I
- Prelude II
- Prelude III
- Prelude IV
- Prelude V
- Prelude VII
- Prelude and Fugue on a Theme of Cyril Scott, op. 69
- Rosa mundi, op. 2
- Sinfonia concertante, op. 38: II. Saltarella. Allegro vivace
- Sinfonia concertante, op. 38: III. Prelude and Fugue. Lento - ♩ = 56
- Soliloquy, op. 57
- Sonata for Oboe and Piano in C major, op. 100
- Sonata for Oboe and Piano in C major, op. 100: III. Presto
- Song of the Soul, Op. 78
- String Quartet no. 1 in F minor, op. 35
- String Quartet no. 2 in E-flat major, op. 73
- String Quartet no. 2 in E-flat major, op. 73: I. Allegro moderno
- String Quartet no. 2 in E-flat major, op. 73: II. Schertzo polimetrico
- String Quartet no. 2 in E-flat major, op. 73: III. Cavatina
- String Quartet no. 3, op. 112: II. Adagio
- String Quartet no. 4, op. 150
- String Quartet no. 4, op. 150: II. Adagio e con molta espressione
- Symphony no. 1, op. 44: II. Perigourdine. Allegro bucolico e giocoso
- Symphony no. 1, op. 44: III. Lento
- Symphony no. 10, op. 145
- Symphony no. 10, op. 145: II. Scherzando ma grazioso
- Symphony no. 10, op. 145: III. Lento
- Symphony no. 10, op. 145: IV. Molto adagio
- Symphony no. 11, op. 153
- Symphony no. 2, op. 45
- Symphony no. 2, op. 45: II. Scherzo: Vivace assai
- Symphony no. 2, op. 45: IV. Rondo: Allegretto amabile - Coda: Presto
- Symphony no. 3, op. 49
- Symphony no. 3, op. 49: I. Moderato
- Symphony no. 3, op. 49: III. Molto adagio ma liberamente
- Symphony no. 4, op. 53: I. Con moto
- Symphony no. 4, op. 53: II. Intermezzo: Allegretto grazioso
- Symphony no. 5, op. 63
- Symphony no. 5, op. 63: I. Adagio
- Symphony no. 5, op. 63: II. Allegro moderato
- Symphony no. 5, op. 63: III. Grave
- Symphony no. 5, op. 63: IV. Allegro vivo
- Symphony no. 6, op. 80: I. Lento (Sempre flessibile) - Allegretto
- Symphony no. 6, op. 80: III. Vivace impetuoso
- Symphony no. 7 in C, op. 88
- Symphony no. 7 in C, op. 88: I. Lento e molto espressivo
- Symphony no. 7 in C, op. 88: II. Vivace e leggiero
- Symphony no. 8, op. 132
- Take, O Take Those Lips Away, op. 22 no. 1
- Tenebrae Motets, op. 72: First Nocturn
- Tenebrae Motets, op. 72: First Nocturn: III. Ecce vidimus eum
- Tenebrae Motets, op. 72: Second Nocturn: I. Amicus meus
- The Jade Mountain, op. 116: II. On Hearing Her Play the Harp
- The Jade Mountain, op. 116: III. An Autumn Night Message
- The Jade Mountain, op. 116: IV. A Song on the Southern River
- The Jade Mountain, op. 116: V. Farewell to a Japanese Buddhist Priest bound Homeward

