Erik Chisholm

20th century Scottish composer and conductor

Erik William Chisholm (4 January 1904 – 8 June 1965) was a Scottish composer, pianist, organist and conductor sometimes known as "Scotland's forgotten composer". According to his biographer, Chisholm "was the first composer to absorb Celtic idioms into his music in form as well as content, his achievement paralleling that of Bartók in its depth of understanding and its daring", which led some to give him the nickname "MacBartók". As composer, performer and impresario, he played an important role in the musical life of Glasgow between the two World Wars and was a founder of the Celtic Ballet and, together with Margaret Morris, created the first full-length Scottish ballet, The Forsaken Mermaid. After World War II he was Professor and Head of the South African College of Music at the University of Cape Town for 19 years until his death. Chisholm founded the South African College of Music opera company in Cape Town and was a vital force in bringing new operas to Scotland, England and South Africa. By the time of his death in 1965, he had composed over a hundred works.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Dance Suite for Orchestra and Piano
  • Dance Suite for Orchestra and Piano: Allegro energico
  • Dance Suite for Orchestra and Piano: March
  • Dance Suite for Orchestra and Piano: Piobaireachd
  • Dance Suite for Orchestra and Piano: Reel
  • From the True Edge of the Great World: Prelude No. 1: Ossianic Lay
  • From the True Edge of the Great World: Prelude no. 8: Port a beul
  • From the True Edge of the Great World: Prelude no. 9: Song of the Mavis
  • Piano Concerto no. 1 "Pìobaireachd"
  • Piano Concerto no. 1 "Pìobaireachd": I. Molto moderato (tranquillo)
  • Piano Concerto no. 1 "Pìobaireachd": II. Allegro scherzando
  • Piano Concerto no. 1 "Pìobaireachd": III. Adagio
  • Piano Concerto no. 1 "Pìobaireachd": IV. Allegro con brio
  • Piano Concerto no. 2 "Hindustani"
  • Piano Concerto no. 2 "Hindustani": I. Poco maestoso e con fuoco
  • Piano Concerto no. 2 "Hindustani": II. Tema con variazioni. Andante
  • Piano Concerto no. 2 "Hindustani": III. Rondo burlesca. Allegretto
  • Tango
  • Violin Concerto
  • Violin Concerto: Allegro scherzando
  • Violin Concerto: Aria in modo Sohani
  • Violin Concerto: Finale: Fuga senza tema
  • Violin Concerto: Passacaglia telescopico (in modo Vasantee)