Ernest John Moeran

English composer

Ernest John Smeed Moeran (31 December 1894 – 1 December 1950) was an Anglo-Irish composer whose work was strongly influenced by English and Irish folk music of which he was an assiduous collector. His oeuvre includes orchestral pieces, concertos, chamber and keyboard works, and a number of choral and song cycles as well as individual songs.

The son of a clergyman, Moeran studied at the Royal College of Music under Charles Villiers Stanford before service in the army during the First World War, in which he was wounded. After the war he was a pupil of John Ireland, and quickly established a reputation as a composer of promise with a number of well-received works. From 1925 to 1928 he shared a cottage with the composer Peter Warlock; the bohemian lifestyle and heavy drinking during this period interrupted his creativity for a while, and sowed the seeds of the alcoholism that would blight his later life. He resumed composing in the 1930s, and re-established his reputation with a series of major works, including a symphony and a violin concerto. From 1934 onwards he spent much of his time in Ireland, mainly in the coastal town of Kenmare.

In 1945 Moeran married the cellist Peers Coetmore, and for her he composed several works for cello. The marriage was not destined to last, and Moeran's final years were lonely. He died at Kenmare on 1 December 1950, having fallen into the water after suffering a cerebral haemorrhage. A second symphony was left unfinished at the time of his death. Composer Anthony Payne declared that "Moeran occupied a minor place in the music of his time, but his meticulously polished and ready technique is unsurpassed among his British contemporaries. This craftsmanship is evident in the clarity of his textures and processes, and in the superb sonority of his orchestral writing".

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Blue Eyed Spring
  • Cello Concerto
  • Cello Concerto: I. Moderato
  • Cello Concerto: II. Adagio
  • Cello Concerto: III. Allegretto deciso, alla marcia
  • Cello Sonata in A minor
  • Cello Sonata in A minor: I. Tempo moderato, Allegro
  • Cello Sonata in A minor: II. Adagio
  • Cello Sonata in A minor: III. Allegro
  • Fantasy Quartet for Oboe and Strings
  • Far in a Western Brookland
  • Farrago
  • First Rhapsody
  • Four English Lyrics
  • In the Mountain Country: Symphonic Impression
  • In youth is pleasure
  • Irish Lament
  • Irish Love Song
  • Nocturne
  • On a May Morning
  • Overture for a Masque, for orchestra Orchestral
  • Phyllida and Corydon
  • Phyllida and Corydon: I. Phyllida and Corydon – Madrigal
  • Phyllida and Corydon: II. Beauty sat bathing by a spring – Madrigal
  • Phyllida and Corydon: III. On a hill the grows a flower – Pastoral
  • Phyllida and Corydon: IV. Phyllis inamorata – Air
  • Phyllida and Corydon: IX. To meadows – Madrigal
  • Phyllida and Corydon: V. Said I that Amaryllis – Ballet
  • Phyllida and Corydon: VI. The treasure of my heart – Conzonet
  • Phyllida and Corydon: VII. While she lies sleeping – Air
  • Phyllida and Corydon: VIII. Corydon, arise – Pastoral
  • Piano Trio in D major
  • Piano Trio in D major: I. Allegro
  • Piano Trio in D major: II. Lento molto - Andante
  • Piano Trio in D major: III. Allegro vivace
  • Piano Trio in D major: IV. Allegro
  • Prelude for Cello and Piano
  • Rhapsody no. 3 in F-sharp major for Piano and Orchestra
  • Rosefrail
  • Second Rhapsody
  • Serenade in G
  • Serenade in G: I. Prologue
  • Serenade in G: II. Intermezzo
  • Serenade in G: III. Air
  • Serenade in G: IV. Galop
  • Serenade in G: V. Minuet
  • Serenade in G: VI. Forlana
  • Serenade in G: VII. Rigadoon
  • Serenade in G: VIII. Epilogue
  • Sinfonietta, for orchestra Orchestral
  • Sinfonietta: I. Allegro con brio
  • Sinfonietta: II. Tema con variazioni
  • Sinfonietta: II. Tema con variazioni: Tema. Andante
  • Sinfonietta: II. Tema con variazioni: Var. 1. A tempo, ma un poco più mosso
  • Sinfonietta: II. Tema con variazioni: Var. 2. Allegro vivace
  • Sinfonietta: II. Tema con variazioni: Var. 3. Poco meno mosso
  • Sinfonietta: II. Tema con variazioni: Var. 4. Andantino
  • Sinfonietta: II. Tema con variazioni: Var. 5. Andante
  • Sinfonietta: II. Tema con variazioni: Var. 6. L'istesso tempo
  • Sinfonietta: III. Allegro risoluto
  • Sonata for Two Violins
  • Sonata for Two Violins: I. Allegro non troppo
  • Sonata for Two Violins: II. Presto
  • Sonata for Two Violins: III. Passacaglia
  • Songs of Springtime
  • Songs of Springtime: I. Under the greenwood tree
  • Songs of Springtime: II. The River-God’s Song
  • Songs of Springtime: III. Spring, the sweet Spring
  • Songs of Springtime: IV. Love is a sickness
  • Songs of Springtime: V. Sigh no more, ladies
  • Songs of Springtime: VI. Good Wine
  • Songs of Springtime: VII. To Daffodils
  • Spring, the sweet Spring
  • String Quartet in A minor
  • String Quartet in A minor: I. Allegro - Lento - Tempo primo
  • String Quartet in A minor: II. Andante con moto
  • String Quartet in A minor: III. Rondo: Allegro vivace
  • String Quartet in E-flat major
  • String Quartet in E-flat major: I. Allegro moderato ma ben animato
  • String Quartet in E-flat major: II. Lento - Vivace - Allegretto - Andante - Allegro vivace
  • String Trio in G major
  • String Trio in G major: I. Allegretto giovale
  • String Trio in G major: II. Adagio
  • String Trio in G major: III. Molto vivace - Lento sostenuto
  • String Trio in G major: IV. Andante grazioso - Presto
  • Summer Valley
  • Symphony in G minor, R. 71 Orchestral
  • Symphony in G minor: I. Allegro
  • Symphony in G minor: II. Lento
  • Symphony in G minor: III. Vivace
  • Symphony in G minor: IV. Lento - Allegro molto
  • The Lover and his Lass
  • The Sailor and Young Nancy
  • The Sweet o’ the Year
  • Theme and Variations
  • Theme and Variations: 1st Variation. Poco più moto
  • Theme and Variations: 2nd Variation. Allegro scherzando
  • Theme and Variations: 3rd Variation. Alla marcia e con energico
  • Theme and Variations: 4th Variation. Allegretto
  • Theme and Variations: 5th Variation. Vivace
  • Theme and Variations: 6th Variation. Non troppo lento e rubato
  • Theme and Variations: Finale
  • Theme and Variations: Theme. Andante
  • Three Fancies
  • Three Fancies: No. 1. Windmills
  • Three Fancies: No. 2. Elegy
  • Three Fancies: No. 3. Burlesque
  • Three Piano Pieces
  • Three Piano Pieces: No. 1. The Lake Island
  • Three Piano Pieces: No. 2. Autumn Woods
  • Three Piano Pieces: No. 3. At the Horse Fair
  • To Daffodils
  • Twilight
  • Two Pieces for Small Orchestra
  • Two Pieces for Small Orchestra: Lonely Waters
  • Two Pieces for Small Orchestra: Whythorne's Shadow
  • Violin Concerto
  • Violin Concerto: I. Allegro moderato
  • Violin Concerto: II. Rondo: Vivace - alla Valce Burlesca
  • Violin Concerto: III. Lento
  • Violin Sonata in E minor
  • Violin Sonata in E minor: I. Allegro non troppo
  • Violin Sonata in E minor: II. Lento
  • Violin Sonata in E minor: III. Vivace e molto ritmico
  • Weep you no more, sad fountains