The Long LineThe Long Line Explore Nine Centuries of Music Gavin Bryars

Gavin Bryars

English composer and double bassist

Richard Gavin Bryars (born 16 January 1943) is an English composer and double bassist. He has worked in jazz, free improvisation, minimalism, historicism, avant-garde, and experimental music.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • 1,2,1-2-3-4
  • A Listening Room ("Chambre d'écoute")
  • A Native Hill
  • A Native Hill: No. 1, The Sense of the Past
  • A Native Hill: No. 10, Animals and Birds
  • A Native Hill: No. 11, Shadow
  • A Native Hill: No. 12, At Peace
  • A Native Hill: No. 2, The Path
  • A Native Hill: No. 3, Sea Level
  • A Native Hill: No. 4, The Pool
  • A Native Hill: No. 5, The Road
  • A Native Hill: No. 6, The Music of Streams
  • A Native Hill: No. 7, Questions
  • A Native Hill: No. 8, Top Soil
  • A Native Hill: No. 9, The Hill
  • Adnan Songbook
  • Adnan Songbook: Song I
  • Adnan Songbook: Song II
  • Adnan Songbook: Song III
  • Adnan Songbook: Song IV
  • Adnan Songbook: Song V
  • Adnan Songbook: Song VI
  • Adnan Songbook: Song VII
  • Adnan Songbook: Song VIII
  • After Handel's Vesper
  • After the Underworlds
  • And So Ended Kant's Travelling in this World
  • Ave donna santissima (Lauda III)
  • Ave regina gloriosa (Lauda VII)
  • Benedicamus Domino
  • Cadman Requiem
  • Cadman Requiem: I. Requiem
  • Cadman Requiem: II. Caedmon Paraphrase (Bede)
  • Cadman Requiem: III. Agnus Dei
  • Cadman Requiem: IV. Caedmon's "Creation Hymn"
  • Cadman Requiem: V. In Paradisium
  • Cage du grand escalier
  • Coda
  • Credo
  • Cuisine
  • Die Letzten Tage ("The Last Days"): I. The Venetian Beginning
  • Die Letzten Tage ("The Last Days"): II. The Corinthian Middle
  • Die Letzten Tage ("The Last Days"): Intermezzo I
  • Die Letzten Tage ("The Last Days"): Intermezzo II
  • Die Letzten Tage ("The Last Days"): Prelude (The Roman Ending)
  • Double Bass Concerto "Farewell to St Petersburg"
  • Epilogue from Wonder Lawn
  • Espace de la cour
  • Four Elements
  • Galerie des peintures
  • Glorious Hill
  • Hi-Tremolo
  • Hymn II
  • Hymn III
  • Hymn IV (Aughton)
  • Ian in the Broch
  • Incipit Vita Nova
  • Interlude
  • Irma
  • Irma: Aria “Irma You Will Be Mine”
  • Irma: Chorus “Love Is Help Mate”
  • Irma: First Interlude
  • Irma: Introduction
  • Irma: Overture and Aria “I Tell You That’s Irma Herself”
  • Irma: Postlude
  • Irma: Second Interlude
  • Jesus' Blood Never Failed Me Yet
  • Jesus’ Blood Never Failed Me Yet: Coda: Tom Waits With High Strings
  • Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra I (string quartet)
  • Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra II (low strings)
  • Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra III (no strings)
  • Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra IV (full strings)
  • Jesus’ Blood Never Failed Me Yet: Tramp and Tom Waits With Full Orchestra
  • Last Hymn
  • Lauda (con sordino)
  • Lauda 13 "Stomme allegro"
  • Lauda 19 "Omne homo"
  • Lauda 28 "Amor dolçe sença pare"
  • Lauda 29 "O divina virgo, flore"
  • Lauda 35 "L'alto prençe archangelo"
  • Lauda 36 "Gloria in cielo"
  • Lauda 37 "Ciascun ke fede sente"
  • Lauda 4 "Oi me lasso"
  • Laude novella (Lauda II)
  • Love Songs
  • Memento
  • New Gnossienne (After Satie) no. 1
  • No. 1 from Tre Laude Dolçe
  • On Photography
  • On Photography: I. Expressa solis spiculo
  • On Photography: II. Expressa solis... Tersa, perfetta imagine
  • On Photography: III. Resonare fibris
  • One Last Bar Then Joe Can Sing
  • Opening Part I
  • Opening Part II
  • Ponukelian Melody
  • Raising the Titanic
  • Ramble on Cortona
  • Salle d'armes
  • Salle des Faïences / Salon Gris
  • Salon des emigres
  • Silva Caledonia
  • String Quartet no. 1 "Between the National and the Bristol"
  • String Quartet no. 2
  • String Quartet no. 3
  • Sub Rosa
  • Super flumina
  • The Arcangel Trip
  • The Archangel Trip
  • The Black River
  • The Fifth Century for choir and saxophone quartet: I. We see the heavens with our eyes
  • The Fifth Century for choir and saxophone quartet: II. As sure as there is a space infinite
  • The Fifth Century for choir and saxophone quartet: III. Infinity of space is like a painter's table
  • The Fifth Century for choir and saxophone quartet: IV. Eternity is a mysterious absence of times and ages
  • The Fifth Century for choir and saxophone quartet: V. Eternity magnifies our joys exceedingly
  • The Fifth Century for choir and saxophone quartet: VI. His omnipresence is our field of joys
  • The Fifth Century for choir and saxophone quartet: VII. Our bridegroom and our king being everywhere
  • The Island Chapel
  • The Other Side of the River
  • The Sinking of the Titanic
  • The Squirrel and the Ricketty Racketty Bridge
  • The Squirrel and the Ricketty-Racketty Bridge
  • The Summons
  • The Voice of St Columba
  • The Voice of St Columba: I. Colum's Voice
  • The Voice of St Columba: II. On Hinba
  • Three Elegies for Nine Clarinets
  • Three Elegies for Nine Clarinets: No. 1
  • Three Elegies for Nine Clarinets: No. 2
  • Three Elegies for Nine Clarinets: No. 3
  • Three Poems of Cecco Angiolieri
  • Three Poems of Cecco Angiolieri: No. 1. La mia malinconia
  • Three Poems of Cecco Angiolieri: No. 3. La stremità
  • Titanic Hymn (Autumn) All Strings
  • Titanic Lament
  • Tour des Ondes
  • Tre Laude Dolce
  • Tre Laude Dolce: I.
  • Tre Laude Dolce: II.
  • Tre Laude Dolce: III.
  • Two Love Songs for female choir a cappella: I. Io amai sempre
  • Two Love Songs for female choir a cappella: II. Solo et pensoso
  • Venite a laudare (Lauda I)
  • Vestibule
  • White's S.S.
  • Winestead
  • With Miriam by the River