The Long LineThe Long Line Explore Nine Centuries of Music Gavriil Popov

Gavriil Popov

Russian Soviet composer

Gavriil Nikolayevich Popov (Russian: Гаврии́л Никола́евич Попо́в; 12 September 1904 – 17 February 1972) was a Soviet composer.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Chamber Symphony in C major for Seven Instruments, op. 2
  • Chamber Symphony in C major for Seven Instruments, op. 2: I. Moderato cantabile
  • Chamber Symphony in C major for Seven Instruments, op. 2: II. Scherzo. Allegro
  • Chamber Symphony in C major for Seven Instruments, op. 2: III. Largo
  • Chamber Symphony in C major for Seven Instruments, op. 2: IV. Finale. Allegro energico
  • Grosse Klaviersuite, op. 6
  • Grosse Klaviersuite, op. 6: I. Invention
  • Grosse Klaviersuite, op. 6: II. Chor
  • Grosse Klaviersuite, op. 6: III. Lied
  • Grosse Klaviersuite, op. 6: IV. Fuga
  • Red Cavalry Campaign
  • Soundtrack to the Film “The Turning Point”, op. 44
  • Soundtrack to the Film “The Turning Point”, op. 44: Breakthrough
  • Soundtrack to the Film “The Turning Point”, op. 44: German Offensive
  • Soundtrack to the Film “The Turning Point”, op. 44: Klaus Taken Prisoner
  • Soundtrack to the Film “The Turning Point”, op. 44: Menace Theme
  • Soundtrack to the Film “The Turning Point”, op. 44: Minutka’s Death
  • Soundtrack to the Film “The Turning Point”, op. 44: Russian Offensive
  • Soundtrack to the Film “The Turning Point”, op. 44: Silence
  • Symphonic Aria for Cello and String Orchestra, op. 43
  • Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”
  • Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: I. Largo. Cantabile
  • Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: II. Grave
  • Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: III. Intermezzo. Allegro
  • Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: IV. Valse. Allegro
  • Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: V. Fugato. Allegro risoluto
  • Symphony no. 1, op. 7
  • Symphony no. 1, op. 7: I. Allegro energico
  • Symphony no. 1, op. 7: II. Largo con moto e molto cantabile
  • Symphony no. 1, op. 7: III. Finale. Scherzo e coda
  • Symphony no. 2 “Motherland”, op. 39
  • Symphony no. 2 “Motherland”, op. 39: I. Andante con moto e molto espressivo
  • Symphony no. 2 “Motherland”, op. 39: II. Presto giocoso
  • Symphony no. 2 “Motherland”, op. 39: III. Largo
  • Symphony no. 2 “Motherland”, op. 39: IV. Presto
  • Symphony no. 3 “Heroic”, op. 45
  • Symphony no. 3 “Heroic”, op. 45: I. Intrada. Andante maestoso e molto espressivo
  • Symphony no. 3 “Heroic”, op. 45: II. Allegro con fuoco, quasi presto
  • Symphony no. 3 “Heroic”, op. 45: III. Prestissimo
  • Symphony no. 3 “Heroic”, op. 45: IV. Largo espressivo, molto cantabile e sempre con moto
  • Symphony no. 3 “Heroic”, op. 45: V. Presto impetuoso
  • Symphony no. 5 in A major “Pastoral”, op. 77
  • Symphony no. 5 in A major “Pastoral”, op. 77: I. Pastorale. Allegro poetico e molto cantando
  • Symphony no. 5 in A major “Pastoral”, op. 77: II. Storm. Allegro agitato
  • Symphony no. 5 in A major “Pastoral”, op. 77: III. Struggle. Fugue
  • Symphony no. 5 in A major “Pastoral”, op. 77: IV. Hopes. Largo appassionato
  • Symphony no. 5 in A major “Pastoral”, op. 77: V. Pastorale. Adagio poetico e molto cantabile
  • Symphony no. 6, op. 99 “Festival”
  • Two Pieces, op. 1
  • Two Pieces, op. 1: I. Expression
  • Two Pieces, op. 1: II. Melody