Georg Joseph Vogler

German composer, organist, teacher and music theorist

Georg Joseph Vogler, also known as Abbé Vogler (15 June 1749 – 6 May 1814), was a German composer, organist, teacher and theorist. In a long and colorful career extending over many more nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as "one of the most bizarre characters in the history of music".

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Ballet Suite no. 1
  • Ballet Suite no. 1: I. Overture. Allegro
  • Ballet Suite no. 1: II. Andantino
  • Ballet Suite no. 1: III. Larghetto
  • Ballet Suite no. 1: IV. Allegretto
  • Ballet Suite no. 2
  • Ballet Suite no. 2: I. Gigue
  • Ballet Suite no. 2: II. Aire de chasse
  • Ballet Suite no. 2: III. Menuetto grazioso
  • Castore e Polluce
  • Der Kaufmann von Smyrna
  • Der Kaufmann von Smyrna: Ouverture
  • Hoosianna
  • Hosianna
  • Morgenstern der finstern Nacht
  • Overture to the Opera "Athalie"
  • Overture to the Play "Hamlet"
  • Overture to the Singspiel "Erwin und Elmire"
  • Prelude in B minor
  • Prelude in E-flat major
  • Symphony in D minor
  • Symphony in D minor: I. Allegro molto
  • Symphony in D minor: II. Andante
  • Symphony in D minor: III. Allegro
  • Symphony in G major: Allegro - Andante - Allegro
  • Variations on "Marlborough, s'en va-t-en guerre"
  • Variations on "Marlborough, s'en va-t-en guerre": Capriccio. Fuga: Molto vivace, Larghetto, Allegro, Larghetto (Les Adieux)
  • Variations on "Marlborough, s'en va-t-en guerre": Tema (semplice e variato): Larghetto
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 10: Allegretto gentile con eleganza
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 11: Allegro molto (La caccia)
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 1: Allegro marziale
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 2: Allegro scherzando
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 3: Minuetto grazioso
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 4: Allegro affettivo e sensible
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 5: Allegro (La carillon)
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 6: Larghetto mistico-ecclesiastico
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 7: Allegro burlesco
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 8: Allegro (La carrozza)
  • Variations on "Marlborough, s'en va-t-en guerre": Variation 9: Minore. Larghetto patetico