George Benjamin
British composer, conductor, pianist and teacher
Sir George William John Benjamin, CBE (born 31 January 1960) is an English composer, conductor, pianist and teacher.
Read more about this composer on Wikipedia.
- A Mind of Winter
- Altitude
- Antara
- At First Light
- At First Light: I.
- At First Light: II.
- At First Light: III.
- Concerto for Orchestra
- Dance Figures
- Dream of the Song
- Dream of the Song: I. The Pen
- Dream of the Song: II. The Multiple Troubles of Man
- Dream of the Song: III. Gazing Throught the Night
- Dream of the Song: IV. Gacela del amor maravilloso
- Dream of the Song: V. The Gazelle
- Dream of the Song: VI. My Heart Thinks as the Sun Comes Up
- Duet
- Flight
- Into the Little Hill
- Into the Little Hill: Part One: I. The Crowd
- Into the Little Hill: Part One: II. The Minister and the Crowd
- Into the Little Hill: Part One: III. The Crowd
- Into the Little Hill: Part One: IV. The Minister and the Stranger
- Into the Little Hill: Part One: V. Interlude - Mother and Child
- Into the Little Hill: Part Two: VI. Inside the Minister Head
- Into the Little Hill: Part Two: VII. The Minister and the Stranger
- Into the Little Hill: Part Two: VIII. Interlude - Mother and Child
- Lessons in Love and Violence
- Lessons in Love and Violence: Part 1, Scene 1: I. It's Nothing to Do With Loving a Man
- Lessons in Love and Violence: Part 1, Scene 1: II. Not When You Grip My Neck
- Lessons in Love and Violence: Part 1, Scene 1: III. Don't Call Him Nothing
- Lessons in Love and Violence: Part 1, Scene 2: I. Who Are These People, Mortimer?
- Lessons in Love and Violence: Part 1, Scene 2: II. My Husband Died
- Lessons in Love and Violence: Part 1, Scene 2: III. Bring Me a Cup of Vinegar
- Lessons in Love and Violence: Part 1, Scene 2: IV. Why Do the Poor Sleep Three in a Bed
- Lessons in Love and Violence: Part 1, Scene 3: I. How Can I Love You?
- Lessons in Love and Violence: Part 1, Scene 3: II. Here - Look - Is My Baby King
- Lessons in Love and Violence: Part 1, Scene 3: III. Please, Everyone Be Seated
- Lessons in Love and Violence: Part 1, Scene 4: I. I'm Cold. I Was Dreaming
- Lessons in Love and Violence: Part 1, Scene 4: II. Why Should You Love Him, Tell Me?
- Lessons in Love and Violence: Part 1, Scene 4: III. Then Stay in the Dark
- Lessons in Love and Violence: Part 2, Scene 5: I. D'You Like Dogs
- Lessons in Love and Violence: Part 2, Scene 5: II. Let the Man In
- Lessons in Love and Violence: Part 2, Scene 5: III. When a Man Will Be Cut Into Pieces
- Lessons in Love and Violence: Part 2, Scene 6: I. Drumming - I Can Hear Drumming
- Lessons in Love and Violence: Part 2, Scene 6: II. Oh, I Am a Bad Person
- Lessons in Love and Violence: Part 2, Scene 6: III. Take It, Mortimer
- Lessons in Love and Violence: Part 2, Scene 6: IV. Here - Look, Is the Living King
- Lessons in Love and Violence: Part 2, Scene 6: V. Why Do I Feel Nothing
- Lessons in Love and Violence: Part 2, Scene 7: I. What Is the Music?
- Lessons in Love and Violence: Part 2, Scene 7: II. Let Me Explain to You the Entertainment
- Olicantus
- Palimpsest I
- Palimpsest II
- Palimpsests
- Panorama
- Piano Figures
- Piano Figures: I. Spell
- Piano Figures: II. Knots
- Piano Figures: III. In the Mirror
- Piano Figures: IV. Interruptions
- Piano Figures: IX. Around the Corner
- Piano Figures: V. Song
- Piano Figures: VI. Hammers
- Piano Figures: VII. Alone
- Piano Figures: VIII. Mosaic
- Piano Figures: X. Whirling
- Piano Sonata
- Piano Sonata: I. Vivace
- Piano Sonata: II. Lento
- Piano Sonata: III. Allegro straziando
- Picture a Day Like This
- Picture a Day Like This: Scene 1: The Page
- Picture a Day Like This: Scene 2: The Lovers
- Picture a Day Like This: Scene 3: The Artisan
- Picture a Day Like This: Scene 4: The Composer
- Picture a Day Like This: Scene 5: Aria
- Picture a Day Like This: Scene 6: The Collector
- Picture a Day Like This: Scene 7
- Ringed by the Flat Horizon
- Shadowlines
- Shadowlines: I. Cantabile
- Shadowlines: II. Wild
- Shadowlines: III. Scherzando
- Shadowlines: IV. Tempestoso
- Shadowlines: V. Very freely, solemn and spacious
- Shadowlines: VI. Gently flowing, flexible
- Sometime Voices
- Sortilèges
- Sudden Time
- Three Inventions
- Three Inventions: No. 1
- Three Inventions: No. 2
- Three Inventions: No. 3
- Three Miniatures
- Three Miniatures: No. 1. A Lullaby for Lalit
- Three Miniatures: No. 2. A Canon for Sally
- Three Miniatures: No. 3. Lauer Lied
- Three Studies for Solo Piano
- Three Studies for Solo Piano: I. Fantasy on Iambic Rhythm
- Three Studies for Solo Piano: II. Meditation on Haydn's Name
- Three Studies for Solo Piano: III. Relativity Rag
- Upon Silence
- Viola, Viola
- Written on Skin
- Written on Skin: Part One: Scene I: Chorus of Angels
- Written on Skin: Part One: Scene IV: Agnès and the Boy
- Written on Skin: Part One: Scene Il: The Protector, Agnès and the Boy
- Written on Skin: Part One: Scene Ill: Chorus of Angels
- Written on Skin: Part One: Scene V: The Protector and the Visitors – John and Marie
- Written on Skin: Part One: Scene Vl: Agnès and the Boy
- Written on Skin: Part Three: Scene XV: The Boy / Angel 1
- Written on Skin: Part Three: Scene Xl: The Protector, Agnès and the Boy
- Written on Skin: Part Three: Scene XlV: The Protector and Agnès
- Written on Skin: Part Three: Scene Xll: The Protector and Agnès
- Written on Skin: Part Three: Scene Xlll: Chorus of Angels and the Protector
- Written on Skin: Part Two: Scene IX: The Protector and the Boy
- Written on Skin: Part Two: Scene Vll: The Protector's Bad Dream
- Written on Skin: Part Two: Scene Vlll: The Protector and Agnès
- Written on Skin: Part Two: Scene X: Agnès and the Boy

