Giacinto Scelsi

Italian composer and poet

Giacinto Francesco Maria Scelsi, count d'Ayala Valva (Italian pronunciation: [dʒaˈtʃinto franˈtʃesko maˈriːa ʃˈʃɛlsi]; 8 January 1905 – 9 August 1988) was an Italian composer who also wrote surrealist poetry in French.

He is best known for having composed music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his Quattro pezzi su una nota sola ("Four Pieces on a single note", 1959). This composition remains his most famous work and one of the few performed to significant recognition during his lifetime. His musical output, which encompassed all Western classical genres except scenic music, remained largely undiscovered even within contemporary musical circles during most of his life. Today, some of his music has gained popularity in certain postmodern composition circles, with pieces like his "Anahit" and his String Quartets rising to increased prominence.

Scelsi collaborated with American composers including John Cage, Morton Feldman, and Earle Brown, as well as being a friend and a mentor to Alvin Curran. His work was a source of inspiration to Ennio Morricone's Gruppo di Improvvisazione di Nuova Consonanza, and his music influenced composers like Tristan Murail and Solange Ancona.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Action Music
  • Action Music: I. Poco più mosso, veloce
  • Action Music: II. Iniziando e subito accelerando…
  • Action Music: III. Lento dolce (tutto col palmo della mano)
  • Action Music: IV. Martellato
  • Action Music: IX. Con fuoco
  • Action Music: V. Violento
  • Action Music: VI. Brillante
  • Action Music: VII. Pesante
  • Action Music: VIII. Veloce
  • Aion
  • Aion: I
  • Aion: II
  • Aion: III
  • Aion: IV
  • Aitsi
  • Anahit
  • Antifona
  • Anâgâmin
  • Canti del Capricorno
  • Canti del Capricorno: No. 1
  • Canti del Capricorno: No. 10
  • Canti del Capricorno: No. 11
  • Canti del Capricorno: No. 12
  • Canti del Capricorno: No. 13
  • Canti del Capricorno: No. 14
  • Canti del Capricorno: No. 15
  • Canti del Capricorno: No. 16
  • Canti del Capricorno: No. 17
  • Canti del Capricorno: No. 18
  • Canti del Capricorno: No. 19
  • Canti del Capricorno: No. 2
  • Canti del Capricorno: No. 20
  • Canti del Capricorno: No. 3
  • Canti del Capricorno: No. 4
  • Canti del Capricorno: No. 5
  • Canti del Capricorno: No. 6
  • Canti del Capricorno: No. 7
  • Canti del Capricorno: No. 8
  • Canti del Capricorno: No. 9
  • Capriccio
  • Chukrum
  • Chukrum: I
  • Chukrum: II
  • Chukrum: III
  • Chukrum: IV
  • Cinque incantesimi
  • Cinque incantesimi: I. Deciso imperioso
  • Cinque incantesimi: II. Presto (wild and strident)
  • Cinque incantesimi: III. Agitato
  • Cinque incantesimi: IV. Lento (Misterioso, soprannaturale)
  • Cinque incantesimi: V. (Wild and strident)
  • Coelocanth
  • Coelocanth: I
  • Coelocanth: II
  • Coelocanth: III
  • Dharana
  • Dithome
  • Divertimento no. 1
  • Divertimento no. 1: I. Improvvisazione
  • Divertimento no. 1: II. Aria I
  • Divertimento no. 1: III. Aria II
  • Divertimento no. 1: IV. Cadenza
  • Divertimento no. 1: V. Finale
  • Divertimento no. 2
  • Divertimento no. 2: I.
  • Divertimento no. 2: II.
  • Divertimento no. 2: III.
  • Divertimento no. 2: IV.
  • Divertimento no. 3
  • Divertimento no. 3: I.
  • Divertimento no. 3: II.
  • Divertimento no. 3: III.
  • Divertimento no. 3: IV.
  • Divertimento no. 4
  • Divertimento no. 4: I.
  • Divertimento no. 4: II.
  • Divertimento no. 4: III.
  • Divertimento no. 4: IV.
  • Duo for Violin and Cello
  • Duo for Violin and Cello: I. Intenso, vibrante
  • Duo for Violin and Cello: II. Calmissimo, non espressivo
  • Elegia per Ty
  • Elegia per Ty: I
  • Elegia per Ty: II
  • Elegia per Ty: III
  • Elohim
  • Et maintenant c’est à vous de jouer
  • Hispania
  • Hispania: I. Mosso, con spirito
  • Hispania: II. Moderato
  • Hispania: III. Mosso
  • Hurqualia
  • Hurqualia: I
  • Hurqualia: II
  • Hurqualia: III
  • Hurqualia: IV
  • Hymnos
  • Hyxos
  • Hyxos: I. Tranquillo
  • Hyxos: III. Tranquillo
  • I presagi: II.
  • In nomine lucis
  • In nomine lucis V
  • Khoom: 1er épisode
  • Khoom: 2e épisode
  • Khoom: 3e épisode
  • Khoom: 5e épisode
  • Khoom: 6e épisode
  • Ko-Lho: I.
  • Ko-Lho: II.
  • Ko-Tha “Three Dances of Shiva”
  • Ko-Tha “Three Dances of Shiva”: I.
  • Ko-Tha “Three Dances of Shiva”: II.
  • Ko-Tha “Three Dances of Shiva”: III.
  • Konx-Om-Pax: III
  • Krishna e Rada
  • Kshara: I.
  • Kshara: II.
  • Kshara: III.
  • Kya: II
  • Kya: III
  • La nascita del Verbo: I.
  • La nascita del Verbo: III.
  • La nascita del Verbo: IV.
  • L’Âme ailée / L’Âme ouverte: L’Âme ouverte
  • Manto
  • Manto: II.
  • Nuits
  • Nuits: II. Le Réveil profond
  • Pfhat
  • Pfhat: I
  • Pfhat: II
  • Pfhat: III
  • Piccola suite: III
  • Piccola suite: IV
  • Poemi: Poema n. 1. Une dernière fois la terre
  • Poemi: Poema n. 3. Chemin du rêve
  • Poemi: Poema n. 4. Passage du poète
  • Pranam II
  • Preludi, Prima Serie: I. Martellato
  • Preludi, Prima Serie: IX. Agitato sostenuto
  • Preludi, Prima Serie: VI. Agitato
  • Preludi, Quarta Serie: L. Congedo - con spirito
  • Preludi, Quarta Serie: XL.
  • Preludi, Quarta Serie: XLIII. Lento espressivo
  • Preludi, Quarta Serie: XLIV. Andante, tempo rubato
  • Preludi, Quarta Serie: XLV.
  • Preludi, Quarta Serie: XLVI.
  • Wo Ma