Gilles Binchois

Franco-Flemish Renaissance composer

Gilles de Bins dit Binchois (also Binchoys; c. 1400 – 20 September 1460) was a Franco-Flemish composer and singer of early Renaissance music. A central figure of the Burgundian School, Binchois is a renowned melodist and miniaturist; he generally avoided large scale works, and is most admired for his shorter secular chansons. Contemporary musicologists generally rank his importance below his colleague Guillaume Du Fay and the English composer John Dunstaple, but together the three were the most celebrated composers of the early European Renaissance.

Binchois was born in Mons (modern-day Belgium) to an upper-class family from Binche. His youth is largely unknown, although early chorister training is likely; by late 1419 he had obtained a local organist post. By 1423 he was in Lille and probably a soldier under the Englishman William de la Pole, eventually in Paris and Hainaut. Sometime during the 1420s, Binchois settled in the culturally thriving court of Burgundy under Philip the Good, where he became a subdeacon and was awarded numerous prebends. He retired to Soignies in 1453 amid a substantial courtly pension, dying in 1460.

It is thought that considerably more of his sacred music survives than secular music, creating a "paradoxical image" of the composer. Reflecting on his style, the Encyclopædia Britannica comments that "Binchois cultivated the gently subtle rhythm, the suavely graceful melody, and the smooth treatment of dissonance of his English contemporaries".

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • A Solis Ortus Cardine
  • Adieu m'amour et ma maistresse
  • Adieu ma doulce
  • Adieu mes tres belles amours. Rondeau
  • Adieu mon amoureuse joye
  • Adieu, adieu, mon joieulx souvenir
  • Adieu, jusques je vous revoye
  • Agnus Dei
  • Amoreux suy
  • Amours merchi
  • Amours mercy. Ballade
  • Asperges me
  • Ave Regina caelorum, antiphon for 3 voices, K. 32
  • Ay, douloureux
  • Beata Dei genitrix (also attrib. to Gilles Binchois), MB 42
  • Bien puist, R. 10
  • Buxheimer Orgelbuch, No. 143: Adyen matres belle
  • Chanson
  • Comme femme desconfortée
  • Da pacem Domine
  • De plus en plus
  • Deo gracias, K. 35
  • Depuis le Congié que je pris
  • Deuil angoisseus. Ballade
  • Dixit Sanctus Philippus
  • Dueil angoisseux, rage demesuree
  • En regardant
  • En sera il mieulx voustre cuer
  • Esclave puist yl devenir
  • Espris d'amours
  • Filles a marier ne vous mariez
  • Gloria "Hominibus"
  • Gloria, laus et honor
  • Hymn for whitsuntide 'Beate nobis gaudia'
  • Jamais tant
  • Je loe Amours et ma dame mercye
  • Je me recommande
  • Je ne fai tousjours que penser
  • Je ne pouroye estre joyeux
  • Je ne vis onques
  • Je vous salue
  • J’ay tant de Deul que nul Homs peut avoir
  • Les tres doulx yeux
  • Magnificat secundi toni, K. 23
  • Mesdisans m'on cuidie desfaire
  • Mon cuer chante joyeusement
  • Mon seul et souverain désir
  • Mort en merchy
  • Pour prison
  • Que veut mesdire
  • Qui veut mesdire si mesdie
  • Salve sancta Parens
  • Sanctus
  • Se j'eusse un seul peu d'esperance
  • Se je souspire, plains et pleure
  • Se la belle n'a le voloir
  • Seule esgaree, R. 42
  • Tant plus ayme
  • Te deum
  • Triste plaisir
  • Triste plaisirs
  • Ut queant laxis (himno a dos voces)
  • Veneremur Virginem
  • Veni Creator Spiritus
  • Vostre trés doulx regart, R. 47