Howard Skempton

British composer and accordionist

Howard While Skempton (born 31 October 1947) is an English composer, pianist, and accordionist.

Since the late 1960s, when he helped to organise the Scratch Orchestra, he has been associated with the English school of experimental music. Skempton's work is characterised by stripped-down, essentials-only choice of materials, absence of formal development and a strong emphasis on melody. The musicologist Hermann-Christoph Müller has described Skempton's music as "the emancipation of the consonance".

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • A Roma
  • Air
  • Air Melody
  • Bends
  • Call
  • Campanella
  • Campanella 3
  • Chorale
  • Drum Canon 2
  • Fire
  • First Prelude
  • Images
  • Images: Interlude 1
  • Images: Interlude 2
  • Images: Interlude 3
  • Images: Interlude 4
  • Images: Interlude 5
  • Images: Interlude 6
  • Images: Interlude 7
  • Images: Interlude 8
  • Images: Postlude: The Keel Row
  • Images: Prelude
  • Images: Prelude 2
  • Images: Prelude 3
  • Images: Prelude 4
  • Images: Prelude 5
  • Images: Prelude 6
  • Images: Prelude 7
  • Images: Prelude 8
  • Images: Song 2
  • Images: The Cockfight: A Traditional Song
  • Images: Variations
  • Invention
  • June '77
  • Kettle's Yard Canon
  • La gora di mulino
  • Lento
  • Melody
  • Of Late
  • Piano Piece 1969
  • Postlude
  • Quavers 3
  • Quavers 5
  • Rise Up, My Love
  • Rise Up, My Love: I. Rise up, my love
  • Rise Up, My Love: II. How fair is thy love
  • Rise Up, My Love: III. My beloved is gone down
  • Rise Up, My Love: IV. How fair and how pleasant
  • Rumba
  • Saltaire Melody
  • Swedish Caprice
  • Sweet Chariot
  • The Durham Strike
  • There Is No Rose
  • Toccata
  • Trace
  • Well, Well, Cornelius
  • passing fancy
  • senza licenza
  • una barcarola eccentrica