Hubert Parry

British composer, teacher and historian

Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918), was an English composer, teacher and historian of music. Born in Richmond Hill, Bournemouth, Parry's first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", his 1902 setting for the coronation anthem "I was glad", the choral and orchestral ode Blest Pair of Sirens, and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". His orchestral works include five symphonies and a set of Symphonic Variations. He also composed the music for Ode to Newfoundland, the national anthem for the Dominion of Newfoundland.

After early attempts to work in insurance at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive Dictionary of Music and Musicians in the 1870s and '80s, and then in 1883 as professor of composition and musical history at the Royal College of Music, of which Grove was the first head. In 1895 Parry succeeded Grove as head of the college, remaining in the post for the rest of his life. He was concurrently Heather Professor of Music at the University of Oxford from 1900 to 1908. He wrote several books about music and music history, the best-known of which is probably his 1909 study of Johann Sebastian Bach.

Both in his lifetime and afterwards, Parry's reputation and critical standing have varied. His academic duties were considerable and prevented him from devoting all his energies to composition, but some contemporaries such as Charles Villiers Stanford rated him as the finest English composer since Henry Purcell; others, such as Frederick Delius, did not. Parry's influence on later composers, by contrast, is widely recognised. Edward Elgar learned much of his craft from Parry's articles in Grove's Dictionary, and among those who studied under Parry at the Royal College were Ralph Vaughan Williams, Gustav Holst, Frank Bridge and John Ireland.

He was also an enthusiastic cruising sailor and owned successively the yawl The Latois and the ketch The Wanderer. In 1908 he was elected as a member of the Royal Yacht Squadron, the only composer so honoured.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • A Hymn for Aviators
  • Agamemnon
  • An English Suite
  • An English Suite: I. Prelude
  • An English Suite: III. Saraband
  • An English Suite: IV. Caprice
  • An English Suite: V. Pastoral
  • An English Suite: VI. Air
  • An English Suite: VII. Frolic
  • Blest Pair of Sirens
  • Chorale Fantasia no. 1, on "O God Our Help"
  • Chorale Fantasia no. 2, on an Old English Tune "When I Survey the Wondrous Cross"
  • Chorale Prelude on "Christe, redemptor omnium"
  • Chorale Prelude on "St. Cross"
  • Chorale Prelude on "St. Mary"
  • Chorale Preludes
  • Chorale Preludes, Set 1
  • Chorale Preludes, Set 2
  • Coronation Te Deum
  • Crossing the Bar
  • Dear Lord and Father of Mankind
  • Duo for 2 Pianos in E minor
  • Elegy
  • England
  • English Lyrics: Set I
  • English Lyrics: Set I "Willow, Willow, Willow"
  • English Lyrics: Set II
  • English Lyrics: Set II, II. "Take, o take those lips away"
  • English Lyrics: Set II, III. "No longer mourn for me"
  • English Lyrics: Set II, V. "When icicles hang by the wall"
  • English Lyrics: Set III
  • English Lyrics: Set IV
  • English Lyrics: Set IV, I. "Thine eyes still shine for me"
  • English Lyrics: Set IV, II. "When lovers meet again"
  • English Lyrics: Set IV, IV. "Weep you no more"
  • English Lyrics: Set IX
  • English Lyrics: Set IX, VII. "There"
  • English Lyrics: Set V
  • English Lyrics: Set V, VII. "A Welsh lullaby"
  • English Lyrics: Set VI
  • English Lyrics: Set VI, I. "When comes my Gwen"
  • English Lyrics: Set VI, II. "And yet I love her till I die"
  • English Lyrics: Set VII
  • English Lyrics: Set VII, I. "On a time the amorous Silvy"
  • English Lyrics: Set VIII
  • English Lyrics: Set VIII, III. "Marian"
  • English Lyrics: Set VIII, V. "Looking backward"
  • English Lyrics: Set X
  • English Lyrics: Set X, V. "From a city Windows"
  • English Lyrics: Set XI
  • English Lyrics: Set XII
  • Evening Service no. 2 in D major "The Great"
  • Evening Service no. 2 in D major "The Great": I. Magnificat
  • Evening Service no. 2 in D major "The Great": II. Nunc dimittis
  • Fantasia and Fugue in G major, op. 188: Fantasia (Maestoso)
  • Fantasia and Fugue in G major, op. 188: Fugue (Allegro)
  • Fantasie Sonata in B major
  • From Death to Life
  • From Death to Life: I. Via Mortis. Lento
  • From Death to Life: II. Via Vite. Slow alla marcia
  • Good-Night
  • Hear my words, ye people
  • Home of My Heart
  • How Sweet the Answer
  • I Sing the Birth
  • In Praise of Song
  • Invocation to Music: I. Introduction - Myriad voiced Queen! Moderato (Chorus)
  • Invocation to Music: II. Turn, O return! Allegretto tranquillo (Chorus and Soprano solo)
  • Invocation to Music: III. Thee, fair Poetry oft hath sought - Allegretto tranquillo (Tenor solo)
  • Invocation to Music: IV. The monstrous sea - Maestoso energico (Chorus)
  • Invocation to Music: IX. O enter with me the gates of delight - Allegro vivace (Soprano, tenor, and bass)
  • Invocation to Music: V. Love to Love calleth - Andante appassionato (Soprano and tenor)
  • Invocation to Music: VI. Dirge. To me, to me, fair-hearted Goddess, come! Maestoso (Bass solo)
  • Invocation to Music: VII. Man, born of desire - Moderato (Chorus)
  • Invocation to Music: VIII. Rejoice, ye dead, where'er your spirits dwell - Piu lento (Soprano solo and chorus)
  • Invocation to Music: X. Thou, O Queen of sinless grace - Allegro vivo (Chorus)
  • Jerusalem
  • Judith, Act I Scene 1: Bring Now the Children!
  • Judith, Act I Scene 1: Draw Near and Worship, O My People!
  • Judith, Act I Scene 1: Hail, Moloch, Hail!
  • Judith, Act I Scene 2: Great Queen! The King Calls for His Children
  • Judith, Act I Scene 2: Lady! Thou Queen of Israel!
  • Judith, Act I Scene 2: O Mother, Tell Us Once Again
  • Judith, Act I Scene 3: Fear Not, My People
  • Judith, Act I Scene 3: Fly! Fly! The Host of Assur Is Come on Us
  • Judith, Act I Scene 3: Jerusalem Was Loved of the Lord
  • Judith, Act I Scene 3: Moloch, Give Ear!
  • Judith, Act I Scene 3: Now Shall the Lord Jehovah Visit You
  • Judith, Act I Scene 3: O King, Give Ear!
  • Judith, Act I Scene 3: Stay Your Hideous Mockeries!
  • Judith, Act II Scene 1: Behold, How Great Is the Mercy of Our God
  • Judith, Act II Scene 1: Our King Is Come Again from Distant Lands
  • Judith, Act II Scene 2: Hear Ye the Words of the Captain of the Great King
  • Judith, Act II Scene 2: Woe! Our Citys Walls Are Broken
  • Judith, Act II Scene 3: Arise, O Israel! Smite Ye Your Enemies
  • Judith, Act II Scene 3: God Breaketh the Battle
  • Judith, Act II Scene 3: Ho! Ye upon the Walls
  • Judith, Act II Scene 3: I Will Sing unto the Lord
  • Judith: I Will Bear the Indignation of God
  • Judith: Long Since in Egypt's Plenteous Land
  • Lady Radnor's Suite: IV. Bourrée
  • Lady Radnor's Suite: V. Slow Minuet
  • Magnificat: II. Quia respexit humilitatem
  • Magnificat: III. Et misericordia
  • Magnificat: IV. Fecit potentiam
  • Partita in D minor
  • Piano Quartet in A-flat major
  • Piano Quartet in A-flat major: I. Lento ma non troppo – Allegro molto
  • Piano Quartet in A-flat major: IV. Allegro
  • Piano Trio no. 1 in E minor: I. Allegro appassionato
  • Piano Trio no. 2 in B minor: II. Lento
  • Piano Trio no. 3 in G major
  • Piano Trio no. 3 in G major: I. Allegro moderato
  • Poserpine
  • Sonata for Cello and Piano in A major: I. Allegro
  • Songs of Farewell
  • Suite Moderne
  • Sweet day, so cool
  • Symphony no. 4 in E minor: II. Intermezzo. Allegretto semplice —
  • Symphony no. 4 in E minor: II. Molto adagio
  • Symphony no. 4 in E minor: IV. Spiritoso
  • Symphony no. 5 in B minor "Symphonic Fantasia 1912"
  • Symphony no. 5 in B minor "Symphonic Fantasia 1912": I. Stress. Slow - Allegro - Tempo I
  • Symphony no. 5 in B minor "Symphonic Fantasia 1912": III. Play. Vivace
  • Symphony no. 5 in B minor "Symphonic Fantasia 1912": IV. Now. Moderato
  • The Birds of Aristophanes, Suite for Orchestra
  • The Birds of Aristophanes, Suite for Orchestra: I, Introduction
  • The Birds of Aristophanes, Suite for Orchestra: IV, Intermezzo
  • The Soul's Ransom: Section 1. Chorus: Who can number the sands of the sea - Lento
  • The Soul's Ransom: Section 2. Chorus: We look for light, but behold darkness - Moderato maestoso
  • The Soul's Ransom: Section 4. Soprano Solo: The people that walked in darkness - Moderato, energico
  • Toccata & Fugue "The Wanderer": No. 1. Toccata
  • Twelve Short Pieces: Set 1 no. 1: Idyll. Allegretto "To K. M."
  • Twelve Short Pieces: Set 1 no. 2: Romance. Andante espressivo "To Gwen"
  • Twelve Short Pieces: Set 1 no. 3: Capriccio. Vivace "To Dolly"
  • Twelve Short Pieces: Set 1 no. 4: Lullaby. Andantino "To Maude"
  • Twelve Short Pieces: Set 2 no. 1: Prelude. Allegro "To Maude"
  • Twelve Short Pieces: Set 2 no. 2: Romance. Lento espressivo "To Gwen"
  • Twelve Short Pieces: Set 3 no. 1: Preamble. Allegro "To Gwen"
  • Twelve Short Pieces: Set 3 no. 2: Romance. Andante sostenuto "To Maude"
  • Twelve Short Pieces: Set 3 no. 3: Capriccio. Vivace "To Gwen"
  • Twelve Short Pieces: Set 3 no. 4: Envoi. Andantino, quasi allegretto "To Dolly"
  • Under the Greenwood Tree
  • Violin Sonata in D major
  • Violin Sonata in D major: II. Andante sostenuto
  • Violin Sonata in D major: III. Presto vivacissimo