Iván Erőd

Hungarian/Austrian composer

Iván Erőd (Hungarian: Erőd Iván [ˈɛrøːd ˈivaːn]; 2 January 1936 – 24 June 2019; sometimes spelled Eröd) was a Hungarian-Austrian composer and pianist. Educated in Budapest, he emigrated to Austria in 1956, where he studied at the Vienna Music Academy. He was successful as a pianist and composer of operas, chamber music and much more, with elements from serialism, Hungarian folk music and jazz. He first was a professor of music theory and composition at the University of Music and Performing Arts Graz (1967–1989), then a professor of composition at the Vienna Music Academy from 1989.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Drei Stücke für Violine Solo, op. 27
  • Drei Stücke für Violine Solo, op. 27: No. 1. Melodie. Ernst, getragen
  • Drei Stücke für Violine Solo, op. 27: No. 2. Marsch. Unernst, wenngleich mit ernster Miene
  • Drei Stücke für Violine Solo, op. 27: No. 3. Tanz. Ausgelassen, Gesichtsausdruck frei
  • Fermeture Ouverture, op. 73a
  • Kleine Suite für 20 Finger, op. 61b
  • Kleine Suite für 20 Finger, op. 61b: I. Einzug - Allegro energico
  • Kleine Suite für 20 Finger, op. 61b: II. Walzerchen - Allegretto moderato
  • Kleine Suite für 20 Finger, op. 61b: III. Blues - Andante
  • Kleine Suite für 20 Finger, op. 61b: IV. Schlußfanfare - Allegro molto
  • Sonata for Violin and Piano no. 1, op. 14
  • Sonata for Violin and Piano no. 1, op. 14: I. Allegro moderato
  • Sonata for Violin and Piano no. 1, op. 14: II. Thema mit Variationen
  • Sonata for Violin and Piano no. 1, op. 14: III. Presto
  • Sonata for Violin and Piano no. 2 , op. 74
  • Violin Concerto, op. 15
  • Violin Concerto, op. 15: I. emotions. Allegro risoluto
  • Violin Concerto, op. 15: II. aesthetics. Adagio molto
  • Violin Concerto, op. 15: III. games. Allegro vivace