Jindřich Feld

Czech composer

Jindřich Feld (19 February 1925 in Prague, Czechoslovakia – 8 July 2007 in Prague, Czech Republic) was a Czech composer of classical music.

Feld was born into a musical family, his father a well-known professor of violin at the Prague Conservatory which followed the tradition of Otakar Ševčík, the master of Jan Kubelík. His mother was a violinist. While he studied violin and viola with his father, he began studying composition early, studying at the Prague Conservatory and then graduating from the Academy of Music (HAMU) in 1952. In this year, he also earned his doctorate from the Charles University in Prague, with degrees in musicology, aesthetics and philosophy.

In 1968 and 1969, Feld accepted an invitation to be a Guest Professor of Composition at Adelaide University in Australia. He also continued to teach at the Prague Conservatory, where he was Professor of Composition from 1972 until 1986. He was a guest lecturer at Indiana University in Bloomington, Indiana in 1981 and 1984. His teaching has also taken him to positions at other American universities as well as ones in Denmark, Norway, Germany, France, England, and 1991 in Japan. Among his notable students are Ivan Romanoff and Martin Wesley-Smith.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Clarinet Quintet, J 194
  • Clarinet Quintet, J 194: I. Allegro moderato
  • Clarinet Quintet, J 194: II. Grave
  • Clarinet Quintet, J 194: III. Lento — Allegro agile — Lento — Allegro agile
  • Concerto for Alto and Full Orchestra
  • Concerto for Alto and Full Orchestra: I. Lento ma non troppo
  • Concerto for Alto and Full Orchestra: II. Allegro con spirito
  • Concerto for Alto and Full Orchestra: III. Lento ma non troppo — Allegro vivo
  • Concerto for Flute and Orchestra
  • Concerto for Flute and Orchestra: I. Allegro appassionato
  • Concerto for Flute and Orchestra: II. Largo
  • Concerto for Flute and Orchestra: III. Allegro vivace
  • Concerto for Orchestra
  • Concerto for Orchestra: I. Introduzione. Andante - Allegro vivace
  • Concerto for Orchestra: II. Andante non troppo e rubato
  • Concerto for Orchestra: III. Allegro scherzando
  • Concerto for Orchestra: IV. Allegro con brio
  • Concerto for Viola and Orchestra
  • Concerto for Viola and Orchestra: I. Lento ma non troppo
  • Concerto for Viola and Orchestra: II. Allegro con spirito
  • Concerto for Viola and Orchestra: III. Lento ma non troppo
  • Dramatic Fantasy "The Days of August"
  • Saxophone Quintet, J 194
  • Saxophone Quintet, J 194: I. Allegro moderato
  • Saxophone Quintet, J 194: II. Grave
  • Saxophone Quintet, J 194: III. Lento – Allegro agile – Lento – Allegro agile
  • Sonata for Flute and Piano
  • Sonata for Flute and Piano: I. Allegro giocoso
  • Sonata for Flute and Piano: II. Grave
  • Sonata for Flute and Piano: III. Allegro vivace
  • String Quartet no. 4, J 61
  • String Quartet no. 4, J 61: I. Adagio
  • String Quartet no. 4, J 61: II. Allegro
  • String Quartet no. 4, J 61: III. Scherzo. Allegro molto
  • String Quartet no. 4, J 61: IV. Adagio
  • String Quartet no. 5, J. 126
  • String Quartet no. 5, J. 126: I. Allegro energico
  • String Quartet no. 5, J. 126: II. Lento — Molto sostenuto — Scherzo. Allegro con brio — Lento
  • String Quartet no. 5, J. 126: III. Allegro risoluto ma con slancio
  • String Quartet no. 6, J. 181
  • String Quartet no. 6, J. 181: I. Lento — Allegro con spirito — Lento
  • String Quartet no. 6, J. 181: II. Lento — Andantino — Lento
  • String Quartet no. 6, J. 181: III. Vivace — Lento — Vivace
  • String Quartet no. 6, J. 181: IV. Lento — Tempo giusto
  • String Quintet, J. 87
  • String Quintet, J. 87: I. Allegro giusto
  • String Quintet, J. 87: II. Adagio
  • String Quintet, J. 87: III. Scherzo. Allegro con brio
  • String Quintet, J. 87: IV. Allegro con fuoco — Adagio
  • Symphony no. 1
  • Symphony no. 1: I. Prologo. Moderato
  • Symphony no. 1: II. Scherzo. Allegro vivo
  • Symphony no. 1: III. Passacaglia. Grave
  • Symphony no. 1: IV. Interludio. Allegro
  • Symphony no. 1: V. Epilogo. Moderato
  • Three Frescoes
  • Three Frescoes: I. Allegro
  • Three Frescoes: II. Andante tranquillo
  • Three Frescoes: III. Allegro vivo
  • Two Compositions for Cello and Piano, J 22
  • Two Compositions for Cello and Piano, J 22: No. 1. Elegie. Lento
  • Two Compositions for Cello and Piano, J 22: No. 2. Burleska. Allegro vivo
  • Élégie for Saxophone and Piano