The Long LineThe Long Line Explore Nine Centuries of Music Johann David Heinichen

Johann David Heinichen

German composer and music theorist

Johann David Heinichen (17 April 1683 – 16 July 1729) was a German Baroque composer and music theorist who brought the musical genius of Venice to the court of Augustus II the Strong in Dresden. After he died, Heinichen's music attracted little attention for many years. As a music theorist, he is credited as one of the inventors of the circle of fifths.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • 3 Lamentationes Jeremiae in Coena Domini, S.71-73
  • Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater"
  • Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti"
  • Alma Redemptoris Mater, S. 22: III. "Gabrielis ab ore"
  • Alma mater redemptoris S.22
  • Beatus vir S. 26
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Genti, genti”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Lato, mani, piè forati”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Madre, non isdegnar”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Mia Sion, che facesti?”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Mio Gesù, dolce adorato”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Coro “Alla croce alme redente”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Coro “Come? S’imbrune il ciel”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Coro “E lumi e cor non ha chi lagrimar”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Duetto “Croce mal nata”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo accompagnato “O qual dura penar!”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Addolorata ed adorate Madre”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Ben ha cor di Giudeo”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Che miro?”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Madre in Amor”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Miseri ch’habbiam fatto?”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “O ciel?”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Piani popolo mio”
  • Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Qual rigore di padre!”
  • Concert Movement for oboe, violin & strings in C minor, S. 240
  • Concerto Grosso in F major, S. 233
  • Concerto Grosso in F major, S. 234
  • Concerto Grosso in F major, S. 234: I. Vivace
  • Concerto Grosso in F major, S. 234: II. Adagio
  • Concerto Grosso in F major, S. 234: III. Un poco Allegro
  • Concerto Grosso in F major, S. 234: IV. Allegro
  • Concerto a 8 S. 211
  • Concerto a 8 S. 211: Adagio
  • Concerto a 8 S. 211: Allegro
  • Concerto a 8 S. 211: Allegro Assai
  • Concerto a 8 S. 211: Pastorell
  • Concerto for 2 Oboes & Orchestra in E minor, S.222
  • Concerto for 2 Oboes & Orchestra in E minor, S.222: I. Vivace
  • Concerto for 2 Oboes & Orchestra in E minor, S.222: II. Adagio
  • Concerto for 2 Oboes & Orchestra in E minor, S.222: III. Allegro
  • Concerto for Flute & Orchestra in D major, S.225
  • Concerto for Flute & Orchestra in D major, S.225: I. (Untitled)
  • Concerto for Flute & Orchestra in D major, S.225: II. Andante
  • Concerto for Flute & Orchestra in D major, S.225: III. Allegro
  • Concerto for Flute, Violin & Orchestra in E minor, S.218
  • Concerto for Flute, Violin & Orchestra in E minor, S.218: I. Allegro
  • Concerto for Flute, Violin & Orchestra in E minor, S.218: II. Adagio
  • Concerto for Flute, Violin & Orchestra in E minor, S.218: III. Presto - Adagio
  • Concerto for Flute, Violin & Orchestra in E minor, S.218: IV. Allegro
  • Concerto for Oboe & Orchestra in A minor, S.212
  • Concerto for Oboe & Orchestra in A minor, S.212: I. (Untitled)
  • Concerto for Oboe & Orchestra in A minor, S.212: II. Largo - Adagio
  • Concerto for Oboe & Orchestra in A minor, S.212: III. Allegro
  • Concerto for Oboe in G minor, S. 237
  • Concerto for Oboe in G minor, S. 237: I. Allegro
  • Concerto for Oboe in G minor, S. 237: II. Pizzicato
  • Concerto for Oboe in G minor, S. 237: III. Vivace
  • Concerto for Oboe, Flute & Orchestra in G minor, S.238
  • Concerto for Oboe, Flute & Orchestra in G minor, S.238: I. Allegro
  • Concerto for Oboe, Flute & Orchestra in G minor, S.238: II. Largo
  • Concerto for Oboe, Flute & Orchestra in G minor, S.238: III. (Untitled)
  • Concerto in F major, S.209
  • Concerto in F major, S.209: I. Allegro — Adagio — Allegro
  • Concerto in F major, S.209: II. Sarabande
  • Concerto in F major, S.209: III. Réjouissance
  • Concerto in F major, S.209: IV. La Chasse
  • Concerto in F major, S.209: V. Aimable
  • Concerto in F major, S.209: VI. Allegro
  • Concerto in F major, S.209: VII. Tempo di Menuetto
  • De profundis, S.35
  • Dresden Concerto in C major, S. 211
  • Dresden Concerto in C major, S. 211: I. Allegro
  • Dresden Concerto in C major, S. 211: II. Pastorell
  • Dresden Concerto in C major, S. 211: III. Adagio
  • Dresden Concerto in C major, S. 211: IV. Allegro assai
  • Dresden Concerto in D major, S. 226
  • Dresden Concerto in D major, S. 226: I. Allegro molto
  • Dresden Concerto in D major, S. 226: II. Adagio
  • Dresden Concerto in D major, S. 226: III. Allegro
  • Dresden Concerto in F major, S. 231
  • Dresden Concerto in F major, S. 231: I. Vivace
  • Dresden Concerto in F major, S. 231: II. Arioso
  • Dresden Concerto in F major, S. 231: III. Allegro
  • Dresden Concerto in F major, S. 232
  • Dresden Concerto in F major, S. 232: I. Allegro
  • Dresden Concerto in F major, S. 232: II. Andante
  • Dresden Concerto in F major, S. 232: III. Allegro
  • Dresden Concerto in F major, S. 233: I. Allegro
  • Dresden Concerto in F major, S. 233: II. Andante più tosto un poco allegro
  • Dresden Concerto in F major, S. 233: III. Presto
  • Dresden Concerto in F major, S. 235
  • Dresden Concerto in F major, S. 235: I. Vivace
  • Dresden Concerto in F major, S. 235: II. Andante
  • Dresden Concerto in F major, S. 235: III. Presto
  • Dresden Concerto in F major, S. 235: IV. Alla breve
  • Dresden Concerto in F major, S. 235: V. Allegro
  • Dresden Concerto in G major, S. 213
  • Dresden Concerto in G major, S. 213: I. Allegro
  • Dresden Concerto in G major, S. 213: II. Larghetto
  • Dresden Concerto in G major, S. 213: III. Allegro
  • Dresden Concerto in G major, S. 213: IV. Entrée
  • Dresden Concerto in G major, S. 213: V. Loure: Cantabile
  • Dresden Concerto in G major, S. 213: VI. Tempo de Menuet - Air italienne
  • Dresden Concerto in G major, S. 214
  • Dresden Concerto in G major, S. 214 (Darmstadt 1715): I. Vivace
  • Dresden Concerto in G major, S. 214 (Darmstadt 1715): II. Largo
  • Dresden Concerto in G major, S. 214 (Darmstadt 1715): III. Allegro
  • Dresden Concerto in G major, S. 214 (Venezia 1715): I. Vivace
  • Dresden Concerto in G major, S. 214 (Venezia 1715): II. Andante e staccato
  • Dresden Concerto in G major, S. 215
  • Dresden Concerto in G major, S. 215: I. Andante e staccato
  • Dresden Concerto in G major, S. 215: III. Largo
  • Dresden Concerto in G major, S. 215: IV. Allegro
  • Dresden Concerto in G major, S. 217: I. Allegro
  • Dresden Concerto in G major, S. 217: II. Largo e staccato
  • Les Lamentations du Prophète Jérémie - Lamentatio I: Incipit Lamentatio Jeremiae (Seibel 71; 1724)
  • L’aride tempie ignude, S. 30: Accompagnato “Marmi, ch’estino il sommo ben chiudete”
  • L’aride tempie ignude, S. 30: Aria “Di Giesù tenere viscere”
  • L’aride tempie ignude, S. 30: Aria “Di mia vittoria su questa tomba”
  • L’aride tempie ignude, S. 30: Aria “E non ti sfacci cuor dispietato”
  • L’aride tempie ignude, S. 30: Aria “Qual pianta”
  • L’aride tempie ignude, S. 30: Coro “Quel core sincere sol giunge”
  • L’aride tempie ignude, S. 30: Recitativo accompagnato “Erger ti ardisci al favellar di spene”
  • L’aride tempie ignude, S. 30: Recitativo “Non dir superbo Gloria dell’armi tue d’un dio la morte”
  • L’aride tempie ignude, S. 30: Recitativo “Per accendere altrui del vivo zelo”
  • L’aride tempie ignude, S. 30: Sinfonia
  • Nisi Dominus, S.99
  • Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Ach mein Mund, ach meine Zunge"
  • Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Die Sporne, die meinen Erlöser durch stechen"
  • Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Min Herz, quille Blut"
  • Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Ich wünsche mir, Jesu, die einzig zum Ruhme"
  • Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Kommt, schauet Petrus' Tränen an"
  • Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "O weh! Die ganze Schar schnaubt voller Grimm"
  • Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Was nützt mir's nun,dass ich so rein an Füssen"
  • Oratorio todesco al sepolcro santo, S.20
  • Ouvertüre in G-dur, Seibel 205: I. Ouvertüre
  • Ouvertüre in G-dur, Seibel 205: II. Air
  • Ouvertüre in G-dur, Seibel 205: III. Bourrée alternativ
  • Ouvertüre in G-dur, Seibel 205: V. Rigadon alternativ
  • Ouvertüre in G-dur, Seibel 205: VI. Air viste
  • Pastorale per la notte di natale, SeiH 242
  • Serenata di Moritzburg in F major, S. 204
  • Sonata for 3 oboes, 2 flutes & strings in A major, S. 208
  • Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: I. Allegro
  • Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: II. Adagio e staccato
  • Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: III. Allegro
  • Trio Sonata in B-flat major, S. 257: I. Affetuoso
  • Trio Sonata in B-flat major, S. 257: II. Allegro
  • Trio Sonata in B-flat major, S. 257: III.