Johann Heinrich Schmelzer

Austrian composer and musician

Johann Heinrich Schmelzer (c. 1620–1623 – between 29 February and 20 March 1680) was an Austrian composer and violinist of the middle Baroque era. Almost nothing is known about his early years, but he seems to have arrived in Vienna during the 1630s, and remained composer and musician at the Habsburg court for the rest of his life. He enjoyed a close relationship with Emperor Leopold I, was ennobled by him, and rose to the rank of Kapellmeister in 1679. He died during a plague epidemic only months after getting the position.

Schmelzer was one of the most important violinists of the period, and an important influence on later German and Austrian composers for violin. He made substantial contributions to the development of violin technique and promoted the use and development of sonata and suite forms in Austria and South Germany. He was the leading Austrian composer of his generation, and an influence on Heinrich Ignaz Biber.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Balletti Francesi
  • Balletto in G "Die Fechtschule"
  • Balletto in G "Die Fechtschule": I. Aria
  • Balletto in G "Die Fechtschule": II. Aria
  • Balletto in G "Die Fechtschule": III. Sarabande
  • Balletto in G "Die Fechtschule": IV. Courente
  • Balletto in G "Die Fechtschule": V. Fecht Schuel
  • Balletto in G "Die Fechtschule": VI. Bader Aria
  • Ciaccona A 3 Chori
  • Ciaccona for Violin & Continuo
  • Harmonia a 5 con Bc D-Dur
  • Inquietum est cor meum
  • Lamento a 3 con Bc B-Dur
  • Lamento sopra la morte di Ferdinand III
  • O J Esu Summa Caritas
  • Polnische Sackpfeiffen
  • Sacro-profanus concentus musicus fidium aliorumque instrumentorum
  • Sarabanda Variata (From Bibliotek Uppsala Universitet Ms.Caps. 8/18)
  • Serenada in Mascara: no. 3, Ciaccona
  • Serenata con altre arie
  • Serenata con altre arie: I. Serenata
  • Serenata con altre arie: II. Alemande
  • Serenata con altre arie: III. Erlicino
  • Serenata con altre arie: IV. Ciacona
  • Serenata con altre arie: V. Campanella / Lamento
  • Sonata A 8 Per Chiesa E Camera
  • Sonata Ad Tabulam A 4
  • Sonata Con Ariae A 9 Zu Der Kayserlichen Serenade
  • Sonata Con Tribus Violinis
  • Sonata I a otto
  • Sonata II a otto
  • Sonata III a sei
  • Sonata IV a sei
  • Sonata IX a cinque
  • Sonata V a sei
  • Sonata VI a sei
  • Sonata VII a cinque
  • Sonata VIII a cinque
  • Sonata X a quattro
  • Sonata XI a quattro
  • Sonata XII a sette
  • Sonata XIII a due
  • Sonata a 11 per chiesa et camera
  • Sonata a 2 con Bc a-Moll
  • Sonata a 2 con Bc d-Moll
  • Sonata a 3 con Organo et Violone h-Moll
  • Sonata a 5 for clarino, bassoon, 2 violins, viola da gambe & b.c.
  • Sonata a 5 per camera al giorno delle correggie
  • Sonata a 7 flauti
  • Sonata in D (From Bibliotek Uppsala Universitet Ms.Caps. 8/18)
  • Sonata in G major
  • Sonata variata in D minor for violin & viola da gamba
  • Sonata à 3
  • Sonata “a doi Chori” in G major
  • Sonata “ad tabulam” in G major
  • Sonata “per chiesa e per camera” in G major
  • Sonatae unarum fidium
  • Sonatae unarum fidium: Sonata no. 1
  • Sonatae unarum fidium: Sonata no. 2
  • Sonatae unarum fidium: Sonata no. 3
  • Sonatae unarum fidium: Sonata no. 4
  • Sonatae unarum fidium: Sonata no. 5
  • Sonatae unarum fidium: Sonata no. 6
  • Suite No 2 in D major
  • Suite No 2 in D major: Aria
  • Suite No 2 in D major: Aria2
  • Suite No 2 in D major: Gallina (The Hen)
  • Suite No 2 in D major: Gigue
  • Suite No 2 in D major: Gique (Sic)
  • Venite ocius, transeamus usque in Bethlehem
  • Vesperae solennes pleno coro
  • Vesperae sollennes: Beatus vir
  • Vesperae sollennes: Confitebor
  • Vesperae sollennes: Dixit Dominus
  • Vesperae sollennes: Laudate Dominum
  • Vesperae sollennes: Laudate pueri
  • Vesperae sollennes: Magnificat