Julius Eastman
American composer
Julius Eastman (October 27, 1940 – May 28, 1990) was an American composer. He was among the first composers to combine the processes of some minimalist music with other methods of extending and modifying his music as in some experimental music. He thus created what he called "organic music". In compositions like Stay On It (1973), his melodic motifs were not unlike the catchy refrains of then pop music.
During the 1970s (and perhaps shortly thereafter), he openly expressed himself in terms of his race, sexual orientation, or both in at least one performance and also in his compositions, including Gay Guerrilla. These gestures were not well received. He began to contend with a lack of professional opportunities, falling into relative obscurity while struggling with substance use and homelessness in the 1980s.
After his early, possibly HIV/AIDS-related death in 1990, Kyle Gann remembered him in a much belated 1991 obituary in the Village Voice. In the 21st century, his work rose to international prominence within contemporary classical music. There have been many recent professional editions, performances, and recordings of his music, as well as some extended scholarly treatments of his life and work.
Read more about this composer on Wikipedia.
- Buddha
- Crazy Nigger
- Evil Nigger
- Femenine
- Fugue no. 7
- Gay Guerrilla
- If You’re So Smart, Why Aren’t You Rich?
- Joy Boy
- Macle
- Our Father
- Piano 2
- Piano 2: I.
- Piano 2: II.
- Piano 2: III.
- Stay on It
- Symphony no. 2 “The Faithful Friend: The Lover Friend’s Love for the Beloved”
- The Holy Presence of Joan d’Arc
- The Nigger Series
- Touch Him When

