The Long LineThe Long Line Explore Nine Centuries of Music Kinan Azmeh

Kinan Azmeh

Syrian clarinetist and composer

Kinan Azmeh (Arabic: كنان العظمة, romanized: Kinān Azme, born June 10, 1976, in Damascus), is a Syrian clarinet player and composer of contemporary classical music based in New York City. Performing with orchestras such as the New York Philharmonic, the Seattle Symphony, the Bavarian Radio Symphony Orchestra, the West–Eastern Divan Orchestra, or the Syrian Symphony Orchestra, he has played as a soloist of classical works as well as of contemporary compositions.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Airports
  • Ibn Arabi Suite
  • Ibn Arabi Suite: I. Prelude
  • Ibn Arabi Suite: II. Recitation
  • Ibn Arabi Suite: III. Postlude
  • It's About Time
  • Sahra be Wyckoff
  • Suite for Improvisor and Orchestra
  • Suite for Improvisor and Orchestra: I. Love on 139th Street in D
  • Suite for Improvisor and Orchestra: II. November 22nd
  • Suite for Improvisor and Orchestra: III. Wedding
  • The Fence, the Rooftop, and the Distant Sea
  • The Fence, the Rooftop, and the Distant Sea: I. Prologue
  • The Fence, the Rooftop, and the Distant Sea: II. Ammonite
  • The Fence, the Rooftop, and the Distant Sea: III. Monologue
  • The Fence, the Rooftop, and the Distant Sea: IV. Dance
  • The Fence, the Rooftop, and the Distant Sea: V. Epilogue
  • Waiting for Friday
  • Wedding