Leo Ornstein

American composer and pianist

Leo Ornstein (born Lev Ornshteyn; Russian: Лев Орнштейн; c. December 11, 1895 – February 24, 2002) was an American experimental composer and pianist of the early twentieth century. His performances of works by avant-garde composers and his own innovative and even shocking pieces made him a cause célèbre on both sides of the Atlantic. The bulk of his experimental works were written for piano.

Ornstein was the first important composer to make extensive use of the tone cluster. As a pianist, he was considered a world-class talent. By the mid-1920s, he had walked away from his fame and soon disappeared from popular memory. Though he gave his last public concert before the age of forty, he continued writing music for another half-century and beyond. Largely forgotten for decades, he was rediscovered in the mid-1970s. Ornstein completed his eighth and final piano sonata in September 1990 at the age of at least ninety-four, making him the oldest published composer in history at the time (a mark since passed by Elliott Carter).

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • 9 Miniatures, op. 7
  • 9 Miniatures, op. 7: No. 1. Berceuse
  • 9 Miniatures, op. 7: No. 2. Mazurka
  • 9 Miniatures, op. 7: No. 3. Romance
  • 9 Miniatures, op. 7: No. 4. Humoresque
  • 9 Miniatures, op. 7: No. 5. Melancolie
  • 9 Miniatures, op. 7: No. 6. Dance fantastique
  • 9 Miniatures, op. 7: No. 7. Gavotte
  • 9 Miniatures, op. 7: No. 8. Valse
  • 9 Miniatures, op. 7: No. 9. Danse burlesque
  • A Long Remembered Sorrow, S102
  • A Moment of Retrospect, S156
  • A Morning in the Woods, S106
  • Arabesques, op. 42
  • Arabesques, op. 42: I. The Isle of Elephantine
  • Arabesques, op. 42: II. Primal Echo
  • Arabesques, op. 42: III. Chant of Hindoo Priests
  • Arabesques, op. 42: IV. Shadowed Waters
  • Arabesques, op. 42: IX. The Wailing and Raging Wind
  • Arabesques, op. 42: V. A Melancholy Landscape
  • Arabesques, op. 42: VI. Pompeian Fresco
  • Arabesques, op. 42: VII. Passion
  • Arabesques, op. 42: VIII. Les Basoches
  • Bagatelle, S100
  • Ballade
  • Composition 1 for Cello and Piano
  • Cossack Impressions, S55
  • Cossack Impressions, S55: I. Evening Song: Maestoso
  • Cossack Impressions, S55: II. Maidens at the Fountain: Andante comodo rubato
  • Cossack Impressions, S55: III. Mazurka: Con vivo
  • Cossack Impressions, S55: IV. Moonlight in the Mountains: Andante amabile
  • Cossack Impressions, S55: IX. The Dance: Allegretto con spirito
  • Cossack Impressions, S55: V. Grief: Moderato con tristezza
  • Cossack Impressions, S55: VI. The Waltz: Tempo di valse
  • Cossack Impressions, S55: VII. The Nocturne: Lento
  • Cossack Impressions, S55: VIII. At Dawn: Impazientemente
  • Cossack Impressions, S55: X. The Love Song: Andante con sentimento
  • Cossack Impressions, S55: XI. The March: Tempo alla marcia
  • Cossack Impressions, S55: XII. Meditation: Languido
  • Cossack Impressions, S55: XIII. At the Festival: Allegro molto
  • Danse sauvage, op. 13 no. 2
  • Fantasy Piece no. 1
  • Fantasy Piece no. 2
  • Fantasy Piece no. 3
  • Four Impromptus, S300A
  • Four Impromptus, S300A: No. 1. Moderato
  • Four Impromptus, S300A: No. 2. Epitaph: Moderato espressivo
  • Four Impromptus, S300A: No. 3. An Interlude: Andante
  • Four Impromptus, S300A: No. 4. A Bit of Nostalgia: Moderato
  • Hebraic Fantasy
  • Impressions de Notre-Dame, op. 16
  • Impressions de Notre-Dame, op. 16: No. 1
  • Impressions de Notre-Dame, op. 16: No. 2
  • Impressions de la Tamise, op. 13 no. 1
  • In the Country, S63
  • In the Country, S63: I. The Gypsy Lament: Moderato con moto
  • In the Country, S63: II. The Old Dungeon: Andante misterioso
  • In the Country, S63: III. A Fairy Dance: Tempo rubato
  • In the Country, S63: IV. The Cathedral Bells and the Choir: Moderato non troppo
  • In the Country, S63: V. The Merry-Go-Round: Vivo e ritmico
  • Metaphor no. 1
  • Metaphor no. 11
  • Metaphor no. 16
  • Metaphor no. 3
  • Metaphor no. 8
  • Metaphor no. 9
  • My, what a din the cuckoos are making!
  • Nine Vignettes, S380
  • Nine Vignettes, S380: No. 1. Moderato
  • Nine Vignettes, S380: No. 2. Con moto
  • Nine Vignettes, S380: No. 3. Moderato
  • Nine Vignettes, S380: No. 4. Animato
  • Nine Vignettes, S380: No. 5. Moderato
  • Nine Vignettes, S380: No. 6. Allegro
  • Nine Vignettes, S380: No. 7. Animato
  • Nine Vignettes, S380: No. 8. Moderato
  • Nine Vignettes, S380: No. 9. Moderato con moto
  • Nocturne no. 1. S153
  • Piano Quintet, op. 92
  • Piano Quintet, op. 92: I. Allegro barbaro
  • Piano Quintet, op. 92: II. Andante lamentoso
  • Piano Quintet, op. 92: III. Allegro agitato
  • Piano Sonata no. 4, S360
  • Piano Sonata no. 4, S360: I. Moderato con moto
  • Piano Sonata no. 4, S360: II. Semplice
  • Piano Sonata no. 4, S360: III. Lento
  • Piano Sonata no. 4, S360: IV. Vivo
  • Piano Sonata no. 7, S363
  • Piano Sonata no. 7, S363: I. Molto con moto
  • Piano Sonata no. 7, S363: II. Andante
  • Piano Sonata no. 7, S363: III. Allegro
  • Piano Sonata no. 8: I. Life's Turmoil and a Few Bits of Satire
  • Piano Sonata no. 8: III. Disciplines and Improvisations
  • Piano Sonata no. 8: IIa. A Trip to the Attic - A Tear or Two for a Childhood Forever Gone. The Bugler
  • Piano Sonata no. 8: IIb. A Lament for a Lost Boy
  • Piano Sonata no. 8: IIc. A Half-Mutilated Cradle - Berceuse
  • Piano Sonata no. 8: IId. First Carousel Ride and Sources of a Hurdy-Gurdy
  • Poems of 1917, op. 41
  • Poems of 1917, op. 41: I. No Man's Land. Andante espressivo
  • Poems of 1917, op. 41: II. The Sower of Despair. Moderato
  • Poems of 1917, op. 41: III. The Orient in Flanders. Andantino, molto espressivo
  • Poems of 1917, op. 41: IV. The Wrath of the Despoiled. Sostenuto, molto appassionato
  • Poems of 1917, op. 41: IX. Army at Prayer. Allegro, ma non troppo
  • Poems of 1917, op. 41: V. Night Brooding Over the Battlefield. Moderato e misterioso
  • Poems of 1917, op. 41: VI. A Dirge of the Trenches. Lento
  • Poems of 1917, op. 41: VII. Song Behind the Lines. Andante con moto e malinconioso
  • Poems of 1917, op. 41: VIII. The Battle. Allegro e molto appassionato
  • Poems of 1917, op. 41: X. Dance of the Dead. Vivo, con fuoco
  • Six Preludes for Cello and Piano
  • Six Preludes for Cello and Piano: No. 1. Moderato sostenuto
  • Six Preludes for Cello and Piano: No. 5. Non troppo (quasi improvisato)
  • Six Preludes for Cello and Piano: No. 6. Allegro agitato
  • Solitude
  • Sonata no. 1 for Cello and Piano, op. 52
  • Sonata no. 1 for Cello and Piano, op. 52: I. Allegro appassionato
  • Sonata no. 1 for Cello and Piano, op. 52: III. Scherzo (Vivo, ma non troppo)
  • Sonata no. 2 for Cello and Piano
  • String Quartet no. 2, op. 99
  • String Quartet no. 2, op. 99: I. Moderato ma animato
  • String Quartet no. 2, op. 99: Presto con fuoco
  • String Quartet no. 3, S615
  • String Quartet no. 3, S615: III. Allegro con moto
  • Suicide in an Airplane, S006
  • Suite russe, S58
  • Suite russe, S58: V. Danse burlesque
  • Three Moods, S005
  • Three Moods, S005: No. 1. Anger
  • Three Moods, S005: No. 2. Grief
  • Three Moods, S005: No. 3. Joy
  • Three Pieces for Flute and Piano: No. 1. Prelude
  • Three Pieces for Flute and Piano: No. 2. Intermezzo
  • Three Tales
  • Three Tales: No. 2. A Fantasy
  • To a Grecian Urn
  • Two Pieces for Cello and Piano, op. 33: No. 1. Andante
  • Violin Sonata no. 1, op. 26
  • Violin Sonata no. 1, op. 26: II. Andante
  • Violin Sonata no. 1, op. 26: IV. Finale. Moderato - Andante - Tempo I - Andante
  • Violin Sonata no. 2, op. 31: I. Moderato
  • Violin Sonata no. 2, op. 31: III. Vivace ma non troppo
  • Violin Sonata, op. posth: Andante
  • Waltz no. 13, S412
  • Waltz no. 14, S413
  • Waltz no. 15, S414
  • Waltz no. 17, S416
  • Waltz no. 3, S402
  • Waltz no. 6, S405
  • Waltz no. 8, S407
  • Wild Men's Dance, S054
  • À la Chinoise, op. 39, S060