Ludwig Senfl

German-Swiss composer

Ludwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany. He and his teacher Isaac played an important role in the development of the German folksongs and their adoption as models for polyphonic compositions as well.

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Works

The Long LineThe Long Line
  • Ach Elslein
  • Choralis Constantinus
  • Das G'läut zu Speyer
  • E schön und zart, von edler Art
  • Ecce quam bonum
  • Entlaubet ist der Walde
  • Es hett ein Biedermann ein Weib
  • Ewiger Gott, aus des Gebot
  • Fortuna ad voces musicales
  • Gottes Namen fahren wir
  • Ich hab' nich redlich g'halten
  • Ich stund an einem morgen
  • Ich weiss nit, was er ihr verhiess
  • Im Maien
  • In pace inidipsum
  • Lamentatio a 4
  • Laub, Gras und Blüt
  • Mein Fleiss und Müh
  • Meniger stellt nach Geld
  • Missa Nisi dominus aedificaverit domum
  • Missa Nisi dominus aedificaverit domum: Gloria
  • Missa Nisi dominus aedificaverit domum: Kyrie
  • Missa Per signum crucis
  • Missa Per signum crucis: Agnus Dei
  • Missa Per signum crucis: Credo
  • Missa Per signum crucis: Gloria
  • Missa Per signum crucis: Kyrie
  • Missa Per signum crucis: Sanctus
  • Missa paschalis
  • Missa paschalis: Kyrie
  • Mit Lust tritt ich an diesen Tanz
  • Mollis inertia cum tantam diffuderil imis (Epodes, 14)
  • Non moriar, sed vivam
  • Non usitata nec tenui ferar (Odes, Livre 2, 20)
  • Petti, nihil me sicut antea juvat (Epodes, 11)
  • Quis dabit oculis nostris
  • Quodlibet: Ach Elslein, liebes Elselein / Es taget vor dem Walde
  • The Merry Bells of Speyer
  • Was wird es doch des Wunders noch
  • Wiewohl viel Herter Örden sind
  • Will niemand singen