Mal Waldron
American jazz pianist and composer
Malcolm Earl "Mal" Waldron (August 16, 1925 – December 2, 2002) was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959.
In his 50-year career, Waldron recorded more than 100 albums under his own name and more than 70 for other band leaders. He also wrote for modern ballet, and composed the scores of several feature films. As a pianist, Waldron's roots lay chiefly in the hard bop and post-bop genres of the New York club scene of the 1950s, but with time he gravitated more towards free jazz. He is known for his dissonant chord voicings and distinctive later playing style, which featured repetition of notes and motifs.
Read more about this composer on Wikipedia.
- A Case of Plus 4’s
- A Time for Duke
- Abstraction
- After the Carnage
- All About Us
- All Night Through
- All That Funk
- All of My Life
- Ammon Joy
- Anatomy
- Anka's Trance
- Anxiety
- At Kamenoi Besso
- Back to Bach
- Black Chant
- Black Rain
- Blue Calypso
- Blue Echo
- Blue Gene
- Blue Greens and Beans
- Blue Jelly
- Bonnie’s Blues
- Bud Study
- Bunni
- C'est Formidable
- Catch as Catch Should
- Catwalk
- Champs Elysees
- Child's Prayer
- Chromobachism
- Ciao!
- Circumambulation
- Communiqué
- Coney Island
- Cool World
- Coolie
- Count One
- Dealin'
- Dear Elaine
- Dee's Dilemma
- Dirge
- Duke on the Run
- Duke’s Awakening
- Duke’s Fantasy
- Duke’s Last Soliloquy
- Duo Improvisation Part I
- Duo Improvisation Part II
- Duquility
- Earthy
- Easy Going
- Empty Street
- Enter, Priest
- Entrances
- Fire Waltz
- Fondest Recollections
- For Bob
- Free for C.T.
- From Charleston Till Now
- Golden Golson
- Gospel Truth
- Groove Blues
- Happiness
- Hard Talk
- Hip Tip
- Hurray for Herbie
- Interplay
- J.M.'s Dream Doll
- Judy
- Jug Handle
- Klever Klaus
- Left Alone
- Light Blue
- Lonely
- Love Span
- Lullaby Chant
- Macedonian Fertility Dance
- Meta-Waltz
- Mingus Lives
- Minoat
- Minor Groove
- Minor Pulsation
- Modal‐Air
- Motion in Order
- No More Tears
- Ollie’s Caravan
- One by One
- One for Steve
- One-Upmanship
- Pedal Eyes
- Portrait Of A Young Mother
- Potpourri
- Quiet Temple
- Reiteration
- Russian Melody
- Scamperin'
- Shades of Coltrane
- Sieg Haile
- Skipper’s Waltz
- Snake Out
- Soul Eyes
- Space
- Spanish Bitch
- Splidium-Dow
- Staggers
- Status Seeking
- Steamin'
- Straight Ahead
- Street Music
- Summerday
- Tangled Lawful Bells
- Tears for Lost Friends
- Tension
- Thailand Dance
- The Bitches Circle
- The Call
- The Call to Arms
- The Cattin' Toddler
- The Git Go
- The Little Cat Walk
- The Pushers
- The Real McCoy
- The Seagulls of Kristiansund
- Theme from “The Cool World”
- Thirteen
- Thoughtful
- Thoughts
- Touche
- Variations on a Theme by Cecil Taylor
- Velvet Scene
- Vio
- Vodka
- Waltz for Marianne
- Warm Canto
- Warp And Woof
- We Diddit
- What It Is
- What's Not
- Wheelin'
- White Road

