Marion Bauer

American composer

Marion Eugénie Bauer (15 August 1882 – 9 August 1955) was an American composer, teacher, writer, and music critic. She played an active role in shaping American musical identity in the early half of the twentieth century.

As a composer, Bauer wrote for piano, chamber ensembles, symphonic orchestra, solo voice, and vocal ensembles. She gained prominence as a teacher, serving on the faculty of Washington Square College of New York University, where she taught music history and composition from 1926 to 1951. In addition to her position at NYU, Bauer was affiliated with the Juilliard School as a guest lecturer from 1940 until her death in 1955. Bauer also wrote extensively about music: she was the editor for the Chicago-based Musical Leader and authored and co-authored several books including her 1933 text Twentieth Century Music.

Throughout her life, Bauer promoted not only her own work but new music in general. Bauer helped found the American Music Guild, the American Music Center, and the American Composers Alliance, serving as a board member of the latter. Bauer also held leadership roles in both the League of Composers and the Society for the Publication of American Music as a board member and secretary, respectively. With Claire Raphael Reis, Minna Lederman, and others, she was regularly in a leadership position in these organizations.

Bauer's music includes dissonance and extended tertian, quartal, and quintal harmonies, though it rarely goes outside the bounds of extended tonality, save for her brief experimentation with serialism in the 1940s. During her lifetime, she enjoyed many performances of her works, most notably the New York Philharmonic premiere of Sun Splendor in 1947 under the baton of Leopold Stokowski and a 1951 New York Town Hall concert devoted solely to her music.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • A Lament
  • A Lament on an African Theme, op. 20a
  • A Lament on an African Theme, op. 20a: Adagio lamentoso
  • American Youth Concerto, op. 36
  • American Youth Concerto, op. 36: I. Andante maestoso – Allegretto – Vivo
  • American Youth Concerto, op. 36: II. Andante ma non troppo
  • American Youth Concerto, op. 36: III. Allegretto
  • Arabesque
  • At the Cross Roads
  • Bacchanale
  • Canzonetta in G
  • Concertino for Oboe, Clarinet and Strings, op. 32b
  • Concertino for Oboe, Clarinet and Strings, op. 32b: I. Allegretto
  • Concertino for Oboe, Clarinet and Strings, op. 32b: II. Andantino
  • Concertino for Oboe, Clarinet and Strings, op. 32b: III. Allegro giocoso
  • Coyote Song
  • Danse Lente
  • Das Mühlenrad
  • Duo for Oboe and Clarinet, op. 25
  • Duo for Oboe and Clarinet, op. 25: I. Prelude
  • Duo for Oboe and Clarinet, op. 25: II. Improvisation
  • Duo for Oboe and Clarinet, op. 25: III. Pastoral
  • Duo for Oboe and Clarinet, op. 25: IV. Dance
  • Echo
  • Elegie
  • Fair Daffodils
  • Four Piano Pieces, op. 21
  • Four Piano Pieces, op. 21: Chromaticon
  • Four Piano Pieces, op. 21: Ostinato
  • Four Piano Pieces, op. 21: Syncope
  • Four Piano Pieces, op. 21: Toccata
  • From the New Hampshire Woods, op. 12
  • From the New Hampshire Woods, op. 12: I. White Birches
  • From the New Hampshire Woods, op. 12: II. Indian Pipes
  • From the New Hampshire Woods, op. 12: III. Pine Trees
  • Gold of the Day and Night
  • In the Country: Four Little Piano Pieces, op. 5
  • In the Market Place
  • Light
  • Melancolié
  • Midsummer Days
  • Nocturne
  • O That We Two Were Maying
  • Out of the West
  • Over the Hills
  • Prelude in A minor, op. 15 no. 2
  • Prelude in B minor, op. 15 no. 5
  • Prelude in D minor, op. 15 no. 3
  • Prelude in D, op. 15 no. 1
  • Prelude in F minor, op. 15 no. 6
  • Prelude in F‐sharp, op. 15 no. 4
  • Prospice
  • Send Me a Dream
  • Six Preludes for the Pianoforte, op. 15
  • Sleep
  • Sonata for Viola and Piano, op. 22
  • Sonata for Viola and Piano, op. 22: I. Allegretto
  • Sonata for Viola and Piano, op. 22: II. Andante espressivo
  • Sonata for Viola and Piano, op. 22: III. Allegro
  • Song from “A Blot on the ’scutcheon”
  • Song of the Earth
  • Star Trysts
  • Suppliant
  • Symphonic Suite for Strings, op. 33
  • Symphonic Suite for Strings, op. 33: I. Prelude: Andante
  • Symphonic Suite for Strings, op. 33: II. Interlude: Comodo
  • Symphonic Suite for Strings, op. 33: III. Finale – Fugue: Allegro ma non troppo
  • Symphony no. 1
  • The Desert
  • The Enfifa River
  • The Forsaken Merman
  • The Last Word
  • The Lay of the Four Winds, op. 8
  • The Mill‐Wheel
  • The Moonlight Is a Silver Sea
  • The Red Man’s Requiem
  • The Relief of Lucknow: An Incident of the Sepoy Mutiny
  • The Shadows
  • The Trysting Hour
  • The Village Gossips
  • Three Impressions, op. 10
  • Three Impressions, op. 10: Druids
  • Three Impressions, op. 10: The Tide
  • Three Impressions, op. 10: Vision
  • Three Songs with Pianoforte Accompaniment
  • Three Songs with Pianoforte Accompaniment, no. 3: Phillis
  • Three Songs with Pianoforte Accompaniment: no. 1. Only of Thee and Me
  • Three Songs with Pianoforte Accompaniment: no. 2. A Little Lane
  • Trio Sonata no. 1, op. 40
  • Trio Sonata no. 1, op. 40: I. Allegretto comodo
  • Trio Sonata no. 1, op. 40: II. Andante espressivo
  • Trio Sonata no. 1, op. 40: III. Vivace e giocoso
  • Turbulence, op. 17 no. 2
  • Up the Ocklawaha, op. 6
  • Wenn ich ein Waldvöglein wär
  • Were I a Bird on Wing
  • Woodwind Quintet, op. 48
  • Woodwind Quintet, op. 48: I. Allegro commodo
  • Woodwind Quintet, op. 48: II. Allegro gioviale
  • Woodwind Quintet, op. 48: III. Andante pastorale
  • Woodwind Quintet, op. 48: IV. Allegro giocoso
  • Young Endymion
  • [untitled]