Pascal Dusapin

French composer

Pascal Georges Dusapin (born 29 May 1955) is a French composer. His music is marked by its microtonality, tension, and energy.

A pupil of Iannis Xenakis and Franco Donatoni and an admirer of Varèse, Dusapin studied at the University of Paris I and Paris VIII during the 1970s. His music is full of "romantic constraint". Despite being a pianist, he refused to compose for the piano until 1997. His melodies have a vocal quality, even in purely instrumental works.

Dusapin has composed solo, chamber, orchestral, vocal, and choral works, as well as several operas, and has been honored with numerous prizes and awards.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • 3 Pièces sur des (faux) chants populaires "Imago"
  • 3 Pièces sur des (faux) chants populaires "Imago": No. 1
  • 3 Pièces sur des (faux) chants populaires "Imago": No. 2
  • 3 Pièces sur des (faux) chants populaires "Imago": No. 3
  • A Quia
  • Aks
  • Apex, solo no. 3 for orchestra
  • Aria
  • Attacca
  • Aufgang
  • Aufgang: II.
  • Celo
  • Clam, solo no. 4 for orchestra
  • Coda
  • Comoedia
  • Comoedia: I
  • Comoedia: II
  • Comoedia: III
  • Dona eis
  • Dona eis: Dona
  • Dona eis: Graduale
  • Dona eis: Introit
  • Dona eis: Sanctus & Libera me
  • Dona eis: Tractus & Offertorium
  • Dona eis: Umbrae
  • Exeo, solo no. 5 for orchestra
  • Extenso, solo no. 2 for orchestra
  • Fist
  • Galim
  • Go, solo no. 1 for orchestra
  • Granum Sinapis
  • Granum Sinapis: Au commencement ...
  • Granum Sinapis: C'est lumière, c'est clarté
  • Granum Sinapis: Ce désert est le Bien
  • Granum Sinapis: Ce point est la montagne
  • Granum Sinapis: Des Trois la boucle
  • Granum Sinapis: Des deux un fleuve
  • Granum Sinapis: Deviens tel un enfant
  • Granum Sinapis: O mon âme
  • Hop'
  • I pesci
  • I pesci: A
  • I pesci: B
  • I pesci: C
  • Immer
  • Immer: I.
  • Immer: II. lent, sombre et grave
  • Immer: III.
  • Inside
  • Inside: 1
  • Inside: 2
  • Inside: 3
  • Invece
  • La Berceuse qui s'endort
  • La melancholia
  • La melancholia: 1. Unius de quattuor
  • La melancholia: 2. Il quarto loco
  • La melancholia: 3. Saturnus
  • La melancholia: Deuxième interlude
  • La melancholia: Premier interlude
  • Medeamaterial
  • Medeamaterial: Aus meinen Händen
  • Medeamaterial: Bist du mein Mann
  • Medeamaterial: Das Kleid der Liebe
  • Medeamaterial: Herrin ich
  • Medeamaterial: Ist alt sein Küssen
  • Medeamaterial: Jason mein Erstes
  • Medeamaterial: Jetzt tritt der Bräutigam
  • Medeamaterial: Und meinen Bruder
  • Outscape
  • Passion
  • Quatuor III
  • Quatuor III: I.
  • Quatuor III: II.
  • Quatuor III: III.
  • Quatuor III: IV.
  • Quatuor VI “Hinterland”
  • Quatuor VI “Hinterland”: I
  • Quatuor VI “Hinterland”: II. Première tentative d’épuisement
  • Quatuor VI “Hinterland”: III. Deuxième tentative d’épuisement
  • Quatuor VI “Hinterland”: IV. Troisième tentative d’épuisement
  • Quatuor VI “Hinterland”: V. Quatrième tentative d’épuisement
  • Quatuor VII “Open Time”
  • Quatuor VII “Open Time”: Variation I
  • Quatuor VII “Open Time”: Variation II
  • Quatuor VII “Open Time”: Variation III
  • Quatuor VII “Open Time”: Variation IV
  • Quatuor VII “Open Time”: Variation IX
  • Quatuor VII “Open Time”: Variation V
  • Quatuor VII “Open Time”: Variation VI
  • Quatuor VII “Open Time”: Variation VII
  • Quatuor VII “Open Time”: Variation VIII
  • Quatuor VII “Open Time”: Variation X
  • Quatuor VII “Open Time”: Variation XI
  • Quatuor VII “Open Time”: Variation XII
  • Quatuor VII “Open Time”: Variation XIII
  • Quatuor VII “Open Time”: Variation XIV
  • Quatuor VII “Open Time”: Variation XIX
  • Quatuor VII “Open Time”: Variation XV
  • Quatuor VII “Open Time”: Variation XVI
  • Quatuor VII “Open Time”: Variation XVII
  • Quatuor VII “Open Time”: Variation XVIII
  • Quatuor VII “Open Time”: Variation XX
  • Quatuor VII “Open Time”: Variation XXI
  • Reverso, solo no. 6 for orchestra
  • Sly
  • Sly: No. 1
  • Sly: No. 2
  • Sly: No. 3
  • Sly: No. 4
  • Sly: No. 5
  • Sly: No. 6
  • Sly: No. 7
  • Sly: No. 8
  • Time Zones
  • Time Zones: 1
  • Time Zones: 10
  • Time Zones: 11
  • Time Zones: 12
  • Time Zones: 13
  • Time Zones: 14
  • Time Zones: 15
  • Time Zones: 16
  • Time Zones: 17
  • Time Zones: 18
  • Time Zones: 19
  • Time Zones: 2
  • Time Zones: 20
  • Time Zones: 21
  • Time Zones: 22
  • Time Zones: 23
  • Time Zones: 24
  • Time Zones: 3
  • Time Zones: 4
  • Time Zones: 5
  • Time Zones: 6
  • Time Zones: 7
  • Time Zones: 8
  • Time Zones: 9
  • Umbrae Mortis
  • Uncut, solo no. 7 for orchestra
  • Watt
  • Études pour piano
  • Études pour piano: No. 1
  • Études pour piano: No. 2
  • Études pour piano: No. 3
  • Études pour piano: No. 4
  • Études pour piano: No. 5
  • Études pour piano: No. 6
  • Études pour piano: No. 7