Péter Eötvös

Hungarian composer and conductor

Péter Eötvös (Hungarian: Eötvös Péter, pronounced [ˈøtvøʃ ˈpeːtɛr]; 2 January 1944 – 24 March 2024) was a Hungarian composer, conductor and academic teacher.

After studies of composition in Budapest and Cologne, Eötvös composed film music in Hungary from 1962. He played with the Stockhausen Ensemble between 1968 and 1976. He was a founding member of the Oeldorf Group in 1973, continuing his association until the late 1970s. From 1979 to 1991, he was musical director and conductor of the Ensemble InterContemporain, and from 1985 to 1988 he was principal guest conductor of the BBC Symphony Orchestra, after which he conducted several other orchestras.

As a composer, Eötvös was known for the operas Love and Other Demons and Three Sisters, both of which were performed outside Hungary. He was open to influences from different cultures.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Adventures of the Dominant Seventh Chord for Solo Violin
  • Alle vittime senza nome
  • Alle vittime senza nome: I.
  • Alle vittime senza nome: II.
  • Alle vittime senza nome: III.
  • Atlantis
  • Atlantis: Part I
  • Atlantis: Part II
  • Atlantis: Part III
  • CAP-KO
  • CAP-KO: I.
  • CAP-KO: II.
  • CAP-KO: III.
  • CAP-KO: IV. Bartók Crosses the Ocean
  • CAP-KO: V.
  • Cello Concerto Grosso
  • Cello Concerto Grosso: I.
  • Cello Concerto Grosso: II.
  • Cello Concerto Grosso: III.
  • Chinese Opera
  • Derwischtanz
  • Dialog mit Mozart
  • Elektrochronik
  • IMA
  • IMA: I.
  • IMA: II.
  • IMA: III.
  • Intervalles-Intérieurs
  • Jet Stream
  • Korrespondenz
  • Korrespondenz: Scene I.
  • Korrespondenz: Scene II.
  • Korrespondenz: Scene III.
  • Kosmos
  • Levitation
  • Levitation: I.
  • Levitation: II. Langsam, schwebend
  • Levitation: III. Barcarola
  • Levitation: IV. Petrushka's Resurrection
  • Mese
  • Multiversum
  • Multiversum: I. Expansion
  • Multiversum: II. Multiversum
  • Multiversum: III. Time and Space
  • Music for New York
  • Paris-Dakar
  • Psalm 151
  • Psychokosmos
  • Replica
  • Senza sangue
  • Seven – Memorial for the Columbia Astronauts, for Solo Violin and Orchestra
  • Seven: I. First Cadenza
  • Seven: II. Second Cadenza
  • Seven: III. Third Cadenza
  • Seven: IV. Fourth Cadenza
  • Seven: V. Part II
  • Shadows
  • Shadows: I.
  • Shadows: II.
  • Shadows: III.
  • Snatches of a Conversation
  • Sonata per sei
  • Sonata per sei: I. (quarter note=86)
  • Sonata per sei: II. (half note=69)
  • Sonata per sei: III. (half note=69)
  • Sonata per sei: IV. Bartók überquert den Ozean (eighth note=84)
  • Sonata per sei: V. (quarter note=112)
  • Speaking Drums
  • Speaking Drums: I. Tanzlied / Dance song
  • Speaking Drums: II. Nonsens songs
  • Speaking Drums: III. Passacaglia
  • Steine
  • The Gliding of the Eagle in the Skies
  • Three Sisters
  • Three Sisters: First Sequence "Irina"
  • Three Sisters: Prolog
  • Three Sisters: Second Sequence "Andrei"
  • Three Sisters: Third Sequence "Masha"
  • Thunder
  • Tücsökzeme
  • Violin Concerto no. 2 "DoReMi"
  • Violin Concerto no. 2 "DoReMi": I.
  • Violin Concerto no. 2 "DoReMi": II.
  • Violin Concerto no. 2 "DoReMi": III.
  • Violin Concerto no. 3 "Alhambra"
  • Windsequenzen
  • zeroPoints
  • zeroPoints: 0.1
  • zeroPoints: 0.2
  • zeroPoints: 0.3
  • zeroPoints: 0.4
  • zeroPoints: 0.5
  • zeroPoints: 0.6
  • zeroPoints: 0.7
  • zeroPoints: 0.8
  • zeroPoints: 0.9
  • “Now, Miss!”