Roger Sessions
American composer, critic, and teacher of music
Roger Huntington Sessions (December 28, 1896 – March 16, 1985) was an American composer, teacher, and writer on music. He had started his career writing in a neoclassical style, but gradually moved towards complex harmonies and postromanticism, and finally the twelve-tone serialism of the Second Viennese School. Sessions's friendship with Arnold Schoenberg influenced him, but he modified his technique to a unique style involving rows to supply melodic themes, while composing subsidiary parts freely.
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- Canons (to the Memory of Stravinsky)
- Concerto for Orchestra
- Concerto for Violin and Cello
- Duo for Violin and Cello
- From My Diary
- From My Diary: I. Poco adagio
- From My Diary: II. Allegro con brio – Tranquillo ed espressivo
- From My Diary: III. Larghissimo e misterioso
- From My Diary: IV. Allegro pesante
- Mass for Unison Chorus and Organ
- On the Beach at Fontana
- Piano Sonata no. 1
- Piano Sonata no. 2
- Piano Sonata no. 2: I. Allegro con fuoco
- Piano Sonata no. 2: II. Lento
- Piano Sonata no. 2: III. Misurato e pesante
- Quintet for 2 Violins, 2 Violas and Cello
- Quintet for 2 Violins, 2 Violas and Cello: I. Movimento tranquillo
- Quintet for 2 Violins, 2 Violas and Cello: II. Adagio ed espressivo
- Quintet for 2 Violins, 2 Violas and Cello: III. Allegro appassionato
- Rhapsody for Orchestra
- Six Pieces for Violoncello
- Six Pieces for Violoncello: No. 1. Prelude
- Six Pieces for Violoncello: No. 2. Dialogue
- Six Pieces for Violoncello: No. 3. Scherzo
- Six Pieces for Violoncello: No. 4. Berceuse
- Six Pieces for Violoncello: No. 5. Capriccio
- Six Pieces for Violoncello: No. 6. Epilogue
- Sonata for Solo Violin
- Sonata for Solo Violin: 1. Tempo moderato, con ampiezza, e liberamente
- Sonata for Solo Violin: 2. Molto vivo
- Sonata for Solo Violin: 3. Adagio e dolcemente
- Sonata for Solo Violin: 4. Alla marcia vivace
- String Quartet no. 1 in E minor
- String Quartet no. 1 in E minor: I. Tempo moderato
- String Quartet no. 1 in E minor: II. Adagio molto
- String Quartet no. 1 in E minor: III. Vivace molto
- String Quartet no. 2
- String Quartet no. 2: I. Lento
- String Quartet no. 2: II. Allegro appassionato, Alla breve
- String Quartet no. 2: III. Andante tranquillo
- String Quartet no. 2: IV. Presto
- String Quartet no. 2: V. Adagio
- Symphony no. 1
- Symphony no. 1: I. Giusto
- Symphony no. 1: II. Largo
- Symphony no. 1: III. Allegro vivace
- Symphony no. 2
- Symphony no. 2: I. Molto agitato
- Symphony no. 2: II. Allegretto capriccioso
- Symphony no. 2: III. Adagio, tranquillo ed espressivo
- Symphony no. 2: IV. Allegramente
- Symphony no. 3
- Symphony no. 3: I. Allegro grazioso e con fuoco
- Symphony no. 3: II. Allegro, un poco ruvido
- Symphony no. 3: III. Andante sostenuto e con affetto
- Symphony no. 3: IV. Allegro con fuoco
- Symphony no. 4
- Symphony no. 6
- Symphony no. 6: I. Allegro
- Symphony no. 6: II. Adagio e tranquilo
- Symphony no. 6: III. Allegro moderato
- Symphony no. 7
- Symphony no. 7: I. Allegro con fuoco
- Symphony no. 7: II. Lento e dolce
- Symphony no. 7: III. Allegro misurato
- Symphony no. 8
- Symphony no. 8: I. Adagio e mesto
- Symphony no. 8: II. Allegro con brio
- Symphony no. 9
- Symphony no. 9: I. Allegro: Impetuoso - Tranquilo
- Symphony no. 9: II. Con movimento adagio - Doppio movimento quasi allegretto -
- Symphony no. 9: III. Allegro vivace
- The Black Maskers
- The Black Maskers (Orchestral Suite)
- The Black Maskers (Orchestral Suite): I. Dance: Stridente-sarcastico
- The Black Maskers (Orchestral Suite): II. Scene: Agitato molto
- The Black Maskers (Orchestral Suite): III. Dirge: Larghissimo
- The Black Maskers (Orchestral Suite): IV. Finale: Andante moderato un poco agitato
- Violin Concerto
- Violin Concerto: I. Largo e tranquillo
- Violin Concerto: II. Scherzo: Allegro
- Violin Concerto: III. Romanza: Andante
- Violin Concerto: IV. Molto vivace e sempre con fuoco
- When Lilacs Last in the Dooryard Bloom'd

