Thomas Morley

English composer, organist and editor

Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of late Renaissance music. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."

Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare.

Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also involved in music publishing. From 1598 up to his death he held a printing patent (a type of monopoly). He used the monopoly in partnership with professional music printers such as Thomas East.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • Agnus Dei
  • Arise, awake, awake
  • Balletts to Five Voices
  • Balletts to Five Voices: About the Maypole
  • Balletts to Five Voices: Fyer, Fyer!
  • Balletts to Five Voices: I Love, Alas, I Love Thee
  • Balletts to Five Voices: My bonnie lass she smileth
  • Balletts to Five Voices: My lovely wanton jewel
  • Balletts to Five Voices: Now Is the Month of Maying
  • Balletts to Five Voices: Phillis, I Fain Would Die Now
  • Balletts to Five Voices: Shoot, False Love
  • Balletts to Five Voices: Sing We and Chaunt It
  • Balletts to Five Voices: What Saith My Daintie Darling?
  • Balletts to Five Voices: You that wont to my Pipe's Sound
  • Burial Service (I am the resurrection), in 7 parts for 4 voices
  • Canzonets or Little Short Aers to Five and Sixe Voices
  • Canzonets or Little Short Aers to Five and Sixe Voices: Cruel, Wilt Thou Persever
  • Canzonets or Little Short Aers to Five and Sixe Voices: Good love, then fly thou to her
  • Canzonets or Little Short Aers to Five and Sixe Voices: Hark, Alleluia
  • Canzonets or Little Short Aers to Five and Sixe Voices: Ladies, You See Time Flieth
  • Canzonets or Little Short Aers to Five and Sixe Voices: Love's Folk in Green Arraying
  • Canzonets or Little Short Aers to Five and Sixe Voices: O Grief Even on the Bud
  • Canzonets or Little Short Aers to Five and Sixe Voices: Stay, heart, run not so fast
  • Canzonets or little short songs to foure voyces
  • Canzonets or little short songs to foure voyces: Still it frieth
  • Canzonets to Three Voices
  • Canzonets to Three Voices: Crewell you pull away too soone
  • Canzonets to Three Voices: Doe you not know?
  • Canzonets to Three Voices: Farewell, disdainful
  • Canzonets to Three Voices: Hould out my hart
  • Canzonets to Three Voices: See, see, myne owne sweet jewell
  • Canzonets to Three Voices: Spring-time mantleth every bough
  • Canzonets to Three Voices: Though Philomela Lost Her Love
  • Canzonets to Two Voices
  • Canzonets to Two Voices: Fantasia a 2 "La Caccia"
  • Canzonets to Two Voices: Fantasie à 2 'Il Rondinella'
  • Canzonets to Two Voices: Fantasie à 2 'La Girandola'
  • Canzonets to Two Voices: Fantasie à 2 'La Sampogna'
  • Canzonets to Two Voices: Fire and Lightning from Heaven
  • Canzonets to Two Voices: I Go Before, My Darling
  • Canzonets to Two Voices: In Nets of Golden Wires
  • Canzonets to Two Voices: Lo, here another Love
  • Canzonets to Two Voices: Miraculous Love's Wounding
  • Canzonets to Two Voices: Sweet Nymphe Come to Thy Lover
  • Canzonets to Two Voices: When Lo by Break of Morning
  • Consort Lessons, Book 1
  • Consort Lessons, Book 1: Can She Excuse
  • Consort Lessons, Book 1: Joyne Hands
  • Consort Lessons, Book 1: La coranto
  • Consort Lessons, Book 1: Lavolto
  • Consort Lessons, Book 1: Michill's Galliard
  • Consort Lessons, Book 1: O Mistress Mine
  • Domine Dominus noste
  • Eheu! They Have Taken Jesus
  • Fantasia (Harpsichord)
  • First Book of Ayres
  • First Book of Ayres: A Painted Tale
  • First Book of Ayres: Come Sorrow, Come
  • First Book of Ayres: I Saw My Ladye Weeping
  • First Book of Ayres: It Was a Lover and His Lass
  • First Book of Ayres: Sleep, slumb'ring eyes
  • First Book of Ayres: Thirsis and Milla
  • Fitzwilliam Virginal Book, no. 9: Goe from my window
  • Galiarda
  • Haec dies
  • Hard by a Crystal Fountain
  • I Let My Complaint
  • Laboravi in gemitu
  • Madrigals to Four Voices
  • Madrigals to Four Voices: April is in My Mistress’ Face
  • Madrigals to Four Voices: Besides a Fountain
  • Madrigals to Four Voices: Die Now, My Heart
  • Madrigals to Four Voices: Hark, jolly shepherds, hark
  • Madrigals to Four Voices: Ho, Who comes here
  • Madrigals to Four Voices: I will no more come to thee
  • Madrigals to Four Voices: In Ev'ry Place
  • Madrigals to Four Voices: Now Is the Gentle Season
  • Madrigals to Four Voices: On a Fair Morning
  • Madrigals to Four Voices: Say, Gentle Nymphs
  • Madrigals to Four Voices: Since My Tears and Lamenting
  • Magnificat and Nunc dimittis - Fauxbourdon
  • Magnificat and Nunc dimittis - Fauxbourdon: Magnificat
  • Magnificat and Nunc dimittis - Fauxbourdon: Nunc dimittis
  • Nancie
  • Nancie (Prima Variación)
  • No, no, Nigella
  • Nolo mortem peccatoris
  • O Mistress Mine
  • Out of the Deep
  • Passymeasures Pavan
  • Pavan 3
  • Pavana
  • Printempas
  • Sacred End Pavan and Galliard
  • Second Dirge Anthem
  • Southernes Pavin
  • The Fitzwilliam Virginal Book No. 124: Fantasia
  • The Fitzwilliam Virginal Book No. 153: Pavana Lachrymae