William Grant Still

American composer

William Grant Still Jr. (May 11, 1895 – December 3, 1978) was an American composer of nearly two hundred works, including five symphonies, four ballets, nine operas, and more than thirty choral works, art songs, chamber music, and solo works. Born in Mississippi and raised in Little Rock, Arkansas, Still attended Wilberforce University and Oberlin Conservatory of Music as a student of George Whitefield Chadwick and then as a student of Edgard Varèse. Because of his close association and collaboration with prominent African-American literary and cultural figures, Still is considered to be part of the Harlem Renaissance.

Still was the first American composer to have an opera produced by the New York City Opera. He is known primarily for his first symphony, Afro-American Symphony (1930), which, until 1950, was the most widely performed symphony composed by an American. Still often is referred to as the "Dean of Afro-American Composers". He was able to become a leading figure in the field of American classical music as the first African-American to conduct a major American symphony orchestra, have a symphony performed by a leading orchestra, have an opera performed by a major opera company, and have an opera performed on national television. The papers of Still and his second wife, the librettist and writer Verna Arvey, are currently held by the University of Arkansas.

Read more about this composer on Wikipedia.

Works

The Long LineThe Long Line
  • A Deserted Plantation
  • A Deserted Plantation: I. Spiritual
  • A Deserted Plantation: II. Young Missy
  • A Deserted Plantation: III. Dance
  • Africa
  • Africa: I. Land of Peace
  • Africa: II. Land of Romance
  • Africa: III. Land of Superstition
  • American Suite
  • American Suite: I. Indian Love Song
  • American Suite: II. Danse
  • American Suite: III. Lament
  • Bells
  • Bells: I. Phantom Chapel
  • Bells: II. Fairy Knoll
  • Blues from "Lenox Avenue"
  • Can’t You Line ’Em
  • Carmela
  • Danzas de Panamá
  • Danzas de Panamá: I. Tamborito
  • Danzas de Panamá: II. Mejorana
  • Danzas de Panamá: III. Punto
  • Danzas de Panamá: IV. Cumbia y congo
  • Elegy for Organ
  • Fanfare for the 99th Fighter Squadron
  • Festive Overture
  • Five Preludes
  • Five Preludes: No. 1. Briskly
  • Five Preludes: No. 2. Placidly
  • Five Preludes: No. 3. Delicately
  • Five Preludes: No. 4. Smooth and Sustained
  • Five Preludes: No. 5. Liltingly
  • Folk Suite no. 4
  • Folk Suite no. 4: I. El monigote
  • Folk Suite no. 4: II. Anda buscando de rosa en rosa
  • Folk Suite no. 4: III. Tayeras
  • Grief
  • Here's One
  • I Feel Like My Time Ain't Long
  • In Memoriam
  • Incantation and Dance
  • Lenox Avenue
  • Little Folk Suite from the Western Hemisphere no. 1
  • Little Folk Suite from the Western Hemisphere no. 1: I. Salangadou
  • Little Folk Suite from the Western Hemisphere no. 1: II. El Capotín
  • Little Folk Suite from the Western Hemisphere no. 2
  • Little Folk Suite from the Western Hemisphere no. 2: I. El Nido
  • Little Folk Suite from the Western Hemisphere no. 2: II. Sweet Betsy from Pike
  • Little Folk Suite from the Western Hemisphere no. 3
  • Little Folk Suite from the Western Hemisphere no. 3: I. Aurore Pradere and Tant Sirop est Doux
  • Little Folk Suite from the Western Hemisphere no. 3: II. Wade in the Water
  • Little Folk Suite from the Western Hemisphere no. 4
  • Little Folk Suite from the Western Hemisphere no. 4: I. Los Indios and Yaravi
  • Little Folk Suite from the Western Hemisphere no. 4: II. The Crawdad Song
  • Little Folk Suite from the Western Hemisphere no. 5
  • Little Folk Suite from the Western Hemisphere no. 5: I. Tutu Marimba
  • Little Folk Suite from the Western Hemisphere no. 5: II. La Varsoviana
  • Little Folk Suite from the Western Hemisphere no. 6
  • Little Folk Suite from the Western Hemisphere no. 6: I. Anda buscando de rosa en rosa
  • Little Folk Suite from the Western Hemisphere no. 6: II. Whoopee Ti Yi Yo
  • Lyric Quartet
  • Lyric Quartet: I. The Sentimental One
  • Lyric Quartet: II. The Quiet One
  • Lyric Quartet: III. The Jovial One
  • Miniatures
  • Miniatures: No. 1. I Ride an Old Paint (USA)
  • Miniatures: No. 2. Adolorido (Mexico)
  • Miniatures: No. 3. Jesus Is a Rock in the Weary Land (USA)
  • Miniatures: No. 4. Yaravi (Peru)
  • Miniatures: No. 5. A Frog Went A-Courtin' (USA)
  • Old California
  • Pastorela
  • Poem for Orchestra
  • Prince and the Mermaid Suite
  • Prince and the Mermaid Suite: I. Song of the Sea
  • Prince and the Mermaid Suite: II. Waltz
  • Prince and the Mermaid Suite: III. Minuet
  • Prince and the Mermaid Suite: IV. Scherzo
  • Quit Dat Fool'nish
  • Romance for Saxophone and Piano
  • Sahdji
  • Serenade
  • Seven Traceries
  • Seven Traceries: I. Cloud Cradles
  • Seven Traceries: II. Mystic Pool
  • Seven Traceries: III. Muted Laughter
  • Seven Traceries: IV. Out of the Silence
  • Seven Traceries: V. Woven Silver
  • Seven Traceries: VI. Wailing Dawn
  • Seven Traceries: VII. A Bit of Wit
  • Sometimes I Feel Like a Motherless Child
  • Suite for Violin and Orchestra
  • Suite for Violin and Piano
  • Suite for Violin and Piano: I. African Dancer
  • Suite for Violin and Piano: II. Mother and Child
  • Suite for Violin and Piano: III. Gamin
  • Summerland
  • Swanee River
  • Symphony no. 1 “Afro-American”
  • Symphony no. 1 “Afro-American”: I. Moderato assai
  • Symphony no. 1 “Afro-American”: II. Adagio
  • Symphony no. 1 “Afro-American”: III. Animato
  • Symphony no. 1 “Afro-American”: IV. Lento, con risoluzione
  • Symphony no. 2 in G minor “Song of a New Race”
  • Symphony no. 2 in G minor “Song of a New Race”: I. Slowly
  • Symphony no. 2 in G minor “Song of a New Race”: II. Slowly and deeply expressive
  • Symphony no. 2 in G minor “Song of a New Race”: III. Moderately fast
  • Symphony no. 2 in G minor “Song of a New Race”: IV. Moderately slow
  • Symphony no. 3 "The Sunday Symphony"
  • Symphony no. 3 "The Sunday Symphony": I. Awakening (Moderately Fast)
  • Symphony no. 3 "The Sunday Symphony": II. Prayer (Very Slow)
  • Symphony no. 3 "The Sunday Symphony": III. Relaxation (Gaily)
  • Symphony no. 3 "The Sunday Symphony": IV. Day's End and a New Beginning (Resolutely)
  • Symphony no. 4 "Autochthonous"
  • Symphony no. 4 "Autochthonous": I. Moderately
  • Symphony no. 4 "Autochthonous": II. Slowly
  • Symphony no. 4 "Autochthonous": III. With a graceful lilt
  • Symphony no. 4 "Autochthonous": IV. Slowly and reverently
  • Symphony no. 5 "Western Hemisphere"
  • Symphony no. 5 "Western Hemisphere": I. Briskly
  • Symphony no. 5 "Western Hemisphere": II. Slower, and with utmost grace
  • Symphony no. 5 "Western Hemisphere": III. Energetically
  • Symphony no. 5 "Western Hemisphere": IV. Moderately
  • The House Rent Party
  • Three Rhythmic Spirituals
  • Three Rhythmic Spirituals: No. 1. Lord I Looked Down the Road
  • Three Rhythmic Spirituals: No. 2. Hard Trials
  • Three Rhythmic Spirituals: No. 3. Holy Spirit Don't You Leave Me
  • Three Visions
  • Three Visions: I. Dark Horsemen
  • Three Visions: II. Summerland
  • Three Visions: III. Radiant Pinnacle
  • Threnody: In Memory of Jean Sibelius
  • Wood Notes
  • Wood Notes: I. Singing River (Moderately Slow)
  • Wood Notes: II. Autumn Night (Lightly)
  • Wood Notes: III. Moon Dusk (Slowly and Expressively)
  • Wood Notes: IV. Whippoorwill's Shoes (Humorously)