William Sterndale Bennett
British musician (1816-75)
Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig.
In 1858, Bennett returned to composition, but his later works, though popular, were considered old-fashioned and did not arouse as much critical enthusiasm as his youthful compositions had done. He was Professor of Music at the University of Cambridge from 1856 until 1875. In 1866 he became Principal of the RAM, rescuing it from closure, and remained in this position until his death. He was knighted in 1871. He died in London in 1875 and was buried in Westminster Abbey.
Bennett had a significant influence on English music, not solely as a composer but also as a teacher, as a promoter of standards of musical education and as an important figure in London concert life. In recent years, appreciation of Bennett's compositions has been rekindled and a number of his works, including a symphony, his piano concerti, some vocal music and many of his piano compositions, have been recorded. In his bicentenary year of 2016, several concerts of his music and other related events took place.
Read more about this composer on Wikipedia.
- 3 Impromptus, op. 12
- 3 Impromptus, op. 12: No. 1. Andante espressivo in B minor
- 3 Impromptus, op. 12: No. 2. Grazioso in E minor/E major
- 3 Impromptus, op. 12: No. 3. Presto in F-sharp minor
- 4 Songs, op. 47
- 6 Songs, op. 23
- Adagio in G minor for Piano and Orchestra
- Caprice in E major, op. 22
- Chamber Trio in A major, op. 26
- Chamber Trio in A major, op. 26: I. Andante tranquillo ma con moto
- Chamber Trio in A major, op. 26: II. Serenade. Andante ma un poco scherzando
- Chamber Trio in A major, op. 26: III. Finale. Allegro fermato
- Come Live With Me
- Concerto in C major for Two Pianos, WoO 29
- Double Chant in G minor
- Lesson in A major, op. 33 no. 7
- Piano Concerto no. 1 in D minor, op. 1
- Piano Concerto no. 1 in D minor, op. 1: I. Allegro con brio
- Piano Concerto no. 1 in D minor, op. 1: II. Andante sostenuto
- Piano Concerto no. 1 in D minor, op. 1: III. Presto. Scherzo
- Piano Concerto no. 2 in E-flat major, op. 4
- Piano Concerto no. 2 in E-flat major, op. 4: I. Allegro moderato
- Piano Concerto no. 2 in E-flat major, op. 4: II. Adagio espressivo
- Piano Concerto no. 2 in E-flat major, op. 4: III. Vivace giocoso
- Piano Concerto no. 3 in C minor, op. 9
- Piano Concerto no. 3 in C minor, op. 9: I. Allegro moderato
- Piano Concerto no. 3 in C minor, op. 9: II. Romanza. Andante
- Piano Concerto no. 3 in C minor, op. 9: III. Allegro agitato
- Piano Concerto no. 4 in F minor, op. 19
- Piano Concerto no. 4 in F minor, op. 19: I. Allegro con maesta
- Piano Concerto no. 4 in F minor, op. 19: II. Barcarole. Andante cantabile e con moto
- Piano Concerto no. 4 in F minor, op. 19: III. Presto. Agitato
- Piano Concerto no. 5 in F minor
- Piano Concerto no. 5 in F minor: I. Allegro moderato
- Piano Concerto no. 5 in F minor: II. Romanza pastorale "A stroll through the meadows"
- Piano Concerto no. 5 in F minor: III. Presto agitato
- Piano Concerto no. 6 in A minor, WoO 48
- Piano Concerto no. 6 in A minor, WoO 48: I. Allegro appassionata
- Piano Concerto no. 6 in A minor, WoO 48: II. Serenade. Allegretto
- Piano Concerto no. 6 in A minor, WoO 48: III. Finale. Allegro quasi presto
- Piano Sonata in A-flat major, op. 46 "Die Jungfrau von Orleans"
- Piano Sonata in A-flat major, op. 46 "Die Jungfrau von Orleans": I. In the Fields. Andante pastorale
- Piano Sonata in A-flat major, op. 46 "Die Jungfrau von Orleans": II. In the Field. Allegro marziale
- Piano Sonata in A-flat major, op. 46 "Die Jungfrau von Orleans": III. In Prison. Adagio patetico
- Piano Sonata in A-flat major, op. 46 "Die Jungfrau von Orleans": IV. The End. Molto di passione
- Praise to the Lord, the Almighty
- Preludes and Lessons, op. 33
- Psalm 120 When I Was In Trouble, I Called Upon the Lord
- Psalm 60:1-5: O God, thou hast cast us out
- Romance in B-flat minor, op. 14 no. 1
- Romance in E-flat major, op. 14 no. 2
- Romance in G minor, op. 14 no. 3
- Symphony in G minor, op. 43
- Symphony in G minor, op. 43: I. Allegro moderato
- Symphony in G minor, op. 43: II. Introduzione al minuetto: Maestoso
- Symphony in G minor, op. 43: III. Minueto: Moderato con grazia - Trio pomposo - Minuetto
- Symphony in G minor, op. 43: IV. Romanza: Larghetto cantabile
- Symphony in G minor, op. 43: V. Intermezzo: Tempo di minuetto - Grave - Rondo Finale: Presto
- The May Queen, op. 39
- The Naiades, op. 15
- Three Romances, op. 14

